The Broken Promise of the Lankan Cinema:

Asoka & Swarna's Thrilling-Melodrama – Part III

- BY LALEEN JAYAMANNE

Rukmani Devi is still remembered for her incomparable singing voice and her studio photograph by Ralex Ranasinghe with its hint of Film Noir mystery and seduction, and for the role of Blanch Dubois she played in Dhamma Jagoda's Vesmuhunu, an adaptation of Tennessee Williams' A Streetcar Named Desire.

This is a role she shared on alternate nights with Irangani Serasinghe in the late 60s or early 70s. (See my Island Essays, 2024, p114) She was immensely happy to be able to act in a modern western classic directed by a visionary theatre director like Dhamma Jagoda and it was to his credit that he chose to give her that role when all acting roles had dried up for her. I observed those rehearsals held at Harrold Peiris' open garage.

I, too, am happy that Swarna has had a chance to perform again in her 70s. The question is, how exactly has she used that very rare opportunity to act in a film that has doubled its production cost within two months, and now showing in private screenings in multiplexes in Australia with English subtitles, with ambitions to be shown on Netflix and Amazon Prime. These outlets also now fund films and make challenging mini-series. Rani has clearly been produced and marketed with this global distribution in mind. How does this important fact affect Swarna's style of acting and the aesthetics of Asoka's script, are the questions I wish to explore in the final section of this piece.

A Sensational-Thrilling Political & Family Melodrama