A zany '60s party with 'Guvnors'

The ensemble approach captures the magic of Richard Bean's classic farce.

- CHARLES MCNULTY

KASEY MAHAFFY and Trisha Miller, front and center, and the ensemble bring vivacity and a party atmosphere to "One Man, Two Guvnors" at A Noise Within.

The festivities begin even before the characters of "One Man, Two Guvnors" enter the stage. A skiffle band (complete with washboard player) performs a pre-show set to rev up the audience for this update of a classic farce relocated to Britain on the eve of the swinging '60s.

The inspiration for Richard Bean's "One Man, Two Guvnors," now at A Noise Within in Pasadena, is "The Servant of Two Masters," Carlo Goldoni’s mid-48th century comedy that formalized the commedia dell'arte antics and masked characters made famous by the improvisational Italian troupes of the day. Bean's play, set in the eccentric seaside town of Brighton, is quintessentially English by contrast. But farce is a universal language, and the hilarity is not just translated but alchemized into something riotously contemporary.

Grant Olding has written the songs that set the play's mood, a mischievous Joe Orton-esque ambience, only less jaundiced and more childlike. Francis Henshall (Kasey Mahafty), a down-on-his luck busker who moves through the world like an overgrown baby, is driven more by hunger than lust, at least in the play’s first half.

His raging appetite compels him to break the fourth wall and beg the audience for a spare sandwich. When James Corden played the role in London and then on Broadway (where he won a Tony Award for his work), Francis became a figure of unstoppable gluttony. Mahafty, who starred in the exuberant revival of “A Man of No Importance” at A Noise Within last season, is more insistently peckish — hungry rather than hangry. Sustenance is offered — a hummus sandwich, not one ofthe character's favorites — but the plot won't allow him to dig in just yet. Poor Francis has no choice but to gamely proceed with the farcical business at hand.