BAD HABITS

A spate of recent horror movies recycle tired tropes about nuns-and reveal society's ongoing discomfort with independent women.

- LENA WILSON

IMMACULATE MAY appear to be all about evil nuns. In the movie’s grisly opening, four nuns break a runaway sister’s leg. Another holy mob tries to skewer the protagonist, Sister Cecilia, like a shish kebab just after she takes her final vows—and before she unexpectedly becomes pregnant. Halfway through the film, Cecilia catches two sisters slicing off a mouthy novitiate’s tongue. Candles burn, incense wafts, and their habits conceal evil intentions.

But the real villain is the parish priest. A former geneticist who’s found his calling trying to engineer the next messiah, he inseminates Cecilia with dna pulled from—wait for it—one of the nails used to crucify Jesus Christ. Producer and lead actor Sydney Sweeney said she and the rest of the crew behind Immaculate “never really looked at a lot of nun films.”

It appears that they never really looked at a lot of actual nuns, either. Immaculate is hardly the first horror film to commit this sin. Nuns, with their unmistakable silhouettes, have long been made caricatures by the horror genre, revealing that, long before JD Vance became a VP candidate, society was never comfortable with unmarried, childless women, much less those living communally. The fact that nun horror is most often set in earlier eras— usually back when nuns were sporting habits and chanting in Latin—feels like a middle finger to these women, who had some measure of self-determination in a world long before the Western women’s rights movement.

Tales of satanic nuns are older than film itself. For centuries, the expectations imposed on cloistered women were as constricting as the social roles available to them and the walls surrounding them—and speculation ran wild. Some of these accounts went on to inspire late-20th-century nunsploitation films, like Convent of Sinners in 1986, which laid the foundation for modern movies like Immaculate.