Headless guitars have risen phoenix-like from the ashes in recent years. They came to prominence in the 1980s when the heavy through-neck slabs of cocobolo and brass that characterised guitar design in the late 70s fell from favour, and the whiff of patchouli oil that lingered around rock music went with them. The age of the synth had begun and, suddenly, rockstars were more likely to wear Armani suits than kaftans. Headless instruments by companies such as Steinberg, Yamaha and Warwick seemed to fit this clean-lined new aesthetic perfectly. They became so much a part of the look of that era that it's easy to forget that pure functionality underpinned those headless designs - such as the use of then-novel materials such as graphite to make necks ultra-stable, while the loss of the headstock and minimalist bodies made lightweight handling effortless.
The stronger a look, however, the more tied it is to the era that gave birth to it. Headless guitars had a long stint away from the limelight after the 80s and it's only now, some 40 years on, that they seem to be having something of a resurgence - and a lot of that may be down to the efforts of Ola Strandberg, the founder of Swedish guitar maker.strandberg*, to make players look afresh at them. Scandinavian design is famously good at uniting form and function in an elegant, modernist way. This is certainly true of Ola's guitars, which make few concessions to tradition in their quest for the ultimate in ergonomic playing performance - though they do make some, which is probably key to the maker's success.
Diese Geschichte stammt aus der July 2024-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der July 2024-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
BASIC INSTINCTS
The sophisticated range of Swedish-designed guitars made by .strandberg* has lured thousands of players over to the headless side. But the company's new stripped-back Boden Essential model is its strongest play yet for the hearts and minds of mainstream players
Second String
As PRS's more affordable USA-made S2 line moves into its second decade, the series gets a revamp with - at last - USA-made pickups and electronics. What took so long?
PABLO VAN DE POEL
When a band from The Netherlands describes themselves as 'raw, psychedelic Southern rock', it may take a little cognitive processing to work out what that might mean. One listen to DeWolff, however, and you will be duly transported to the 60s for some fuzzed-out rock 'n' roll
THE BERNIE MARSDEN COLLECTION
With a fabulous collection of the late Bernie Marsden's guitars, amps and other highly collectable music gear going under the auctioneer's hammer on 11 June, we were thrilled to have the chance of a sneak preview
LENNY KRAVITZ
Some 35 years since the release of his debut LP, for his 12th record, Blue Electric Light, Lenny Kravitz is back again with equal doses of vigour and vibes, using vintage guitars and the purest valve amps
GEORGE VJESTICA
You may not know him at first glance, but the work of Stoke-on-Trent native George Vjestica has probably impacted some of your favourite albums and movies
DICKEY BETTS
Emerging from the shadow of Duane to write signature hit Ramblin' Man, the Allman Brothers guitarist was a hard-living pioneer of Southern rock
NICK GUPPY
It is with great sadness that we report the passing of our highly valued amplifier guru, who died suddenly in April
Lucky Break
Alex Bishop blends old wood with new in an attempt to fix a severely damaged guitar headstock
Tones Behind The Tracks
Cedric Burnside learnt at the knee of his fabled grandfather, but his latest album is a hill country blues masterclass on his own terms