Versuchen GOLD - Frei
The Rock-Steady Straight Shooter
Guitar World
|November 2025
Remembering Bad Company's Mick Ralphs (1944–2025)
ON JUNE 23, the guitar world lost a true legend – Mick Ralphs of Bad Company and Mott the Hoople fame. He was 81. Besides being an amazing songwriter, Ralphs was a criminally underrated blues/rock guitarist who played with wonderful feeling, phrasing, melody, groove and tone. He was a master of restraint who could say more with a few perfectly placed notes than most shredders can say with a furious flurry of “Look at me!” sweep arpeggios. Ralphs knew when not to play; he’d use poignant pauses between phrases to let his guitar sing and his melodies breathe. Yes, sir – sometimes silence and the notes you choose not to play are just as important as the ones you do play. As Ian Hunter – Ralphs’ old Mott the Hoople partner in crime – once said: “Mick always played for the song, not the spotlight. He was the soul of the riff.”
When you combine those playing sensibilities with Ralphs’ almost uncanny ability to pen seminal rock songs, the results are rare and magical. Ralphs crafted gems such as “Can’t Get Enough,” “Moving On,” “Simple Man” and “Good Lovin’ Gone Bad,” many of which were – and are – staples of classic-rock radio. As are “Feel Like Makin’ Love” and “Deal with the Preacher,” both of which he co-wrote with Bad Company’s Paul Rodgers.
Ralphs was born March 31, 1944, in Herefordshire, England. Like most guitarists of that era, his first guitar was a cheap one, a Rosetti Lucky 7, which coincidently happened to be the same guitar Paul McCartney played when the then-unknown Beatles went to Hamburg in 1960. The song that first inspired a young Ralphs to pick up the instrument was “Green Onions” by Booker T. & the MG’s, which came out in 1962. It was the song’s groove and “nasty” guitar playing that planted the seed.
Diese Geschichte stammt aus der November 2025-Ausgabe von Guitar World.
Abonnieren Sie Magzter GOLD, um auf Tausende kuratierter Premium-Geschichten und über 9.000 Zeitschriften und Zeitungen zuzugreifen.
Sie sind bereits Abonnent? Anmelden
WEITERE GESCHICHTEN VON Guitar World
Guitar World
Speed Skips
Downpicking fast string-skips in \"Jaded\"
2 mins
April 2026
Guitar World
HOW TO PLAY THIS MONTH'S SONGS
This fusion-tinged instrumental showcases Billy's sophistication...
4 mins
April 2026
Guitar World
TOYS IN THE ATTIC
From a Blade Runner to a B.C. Rich to a nearly forgotten Black Burst, Aerosmith's Joe Perry reveals the stories behind nine standouts from his impressive guitar collection - and nominates the coolest pointy ax of all time
23 mins
April 2026
Guitar World
Boss GX-1
A multi-effects unit with pro-level features on a bedroom budget
3 mins
April 2026
Guitar World
Love Is Blues
Celebrating B.B. King's late- Eighties collaboration with U2
2 mins
April 2026
Guitar World
PRS Fiore HH Satin
PRS's under-the-radar Fiore, the signature guitar of Mark Lettieri, gets a dual-humbucking makeover and packs serious punch
3 mins
April 2026
Guitar World
TOYS IN THE ATTIC
Joe Perry walks us through his at-home pedalboard - and his pedalboard methodology
4 mins
April 2026
Guitar World
TOYS IN THE ATTIC
A decade-by-decade guide to Joe Perry's amps – and exactly where he stands on modeling
6 mins
April 2026
Guitar World
Haim Time
Haim's Danielle Haim on 2025's I Quit, the value of classic rock covers and who she considers an outright genius
3 mins
April 2026
Guitar World
Diezel VH4
FOR FANS OF high-gain amps, 1992 was a breakthrough year unlike any other (previously or since).
2 mins
April 2026
Listen
Translate
Change font size
