The long goodbye
BBC Music Magazine
|December 2025
The farewell concert is a long-established tradition among classical stars. But, asks Andrew Green, how many musicians calling it a day actually mean it?
Dame Joan Sutherland managed things to her customary perfection: a gala goodbye before an adoring Covent Garden audience on New Year's Eve 1990, 35 years ago. Pavarotti and Marilyn Horne joined in the fun of the party scene from Die Fledermaus, and Dame Joan's husband, Richard Bonynge, directed in the pit. The celebrated soprano rounded things off with a tear-jerking rendering of 'Home! Sweet Home!' The following day, a new year, a fresh start. What a farewell! And the 64 year-old stressed her decision to retire was final: 'You can mend a violin and go on playing it, but not a voice. It doesn't work so well and there it is.' There would be no succession of Positively Last Appearances.
The danger of waiting too long to say cheerio? Maybe Dame Joan reflected on the sorry aural spectacle of Maria Callas's so-called 'Farewell Tour' in 1973/74 - recitals taking in Europe, North America and the Far East. After which, she sang in public no more, dying in 1977 aged only 53. During the tour it was plain her voice did not 'work so well'. It was 'careworn indeed' one London critic observed. Yes, a tour too far, musically speaking, but... it gave Callas's devoted admirers the opportunity to bid goodbye. At her first Royal Festival Hall concert, flowers rained in from all directions before she sang a note.
How far back in time does the idea of a farewell concert for a retiring artist take us? Hard to say, but at least as far as 1835. In April of that year, at London's Hanover Square Rooms, 64-year-old Johann Baptist Cramer played in public for the last time, in his case quitting while he was ahead. Today we associate his name with the eponymous music publishing company he founded, but back then Cramer was a famed virtuoso pianist - hugely admired, not least by Beethoven. And the Atlas newspaper was baffled 'that a man who has played all other players stark dead... should announce his intention of retiring'.
Diese Geschichte stammt aus der December 2025-Ausgabe von BBC Music Magazine.
Abonnieren Sie Magzter GOLD, um auf Tausende kuratierter Premium-Geschichten und über 9.000 Zeitschriften und Zeitungen zuzugreifen.
Sie sind bereits Abonnent? Anmelden
WEITERE GESCHICHTEN VON BBC Music Magazine
BBC Music Magazine
Hiss and make-up
From boos to vegetables, opera stars have had to put up with all sorts being aimed in their direction over the centuries
8 mins
Christmas 2025
BBC Music Magazine
A vivid and intimate portrait of Mahler
Anna Lucia Richter brings striking depth and expressive insight to the composer's song-settings
2 mins
Christmas 2025
BBC Music Magazine
It's all in the genes
Is it a bonus or a burden to be the musical child of musical parents?
7 mins
Christmas 2025
BBC Music Magazine
Banff Canada
Spectacular views and equally stunning string quartet performances are on Jeremy Pound's agenda as he heads to the Canadian Rockies
3 mins
Christmas 2025
BBC Music Magazine
Morten Lauridsen
Terry Blain explores the life of a self-imposed recluse whose magical O Magnum Mysterium beguiles millions of listeners each Christmas
6 mins
Christmas 2025
BBC Music Magazine
In good faith
Composer Roxanna Panufnik and writer Jessica Duchen tell Amanda Holloway how they have joined forces for a new choral work that looks well beyond Christmas for its festive celebrations
8 mins
Christmas 2025
BBC Music Magazine
Westward Ho!
Composer Alex Ho is part of a growing community of musicians combining their British and Chinese heritage in fascinating ways
7 mins
Christmas 2025
BBC Music Magazine
Music & mercy
explores Venice's Ospedale della Pietà, the girls' orphanage where Vivaldi taught and composed
7 mins
Christmas 2025
BBC Music Magazine
Jingle hell!
As the Christmas season approaches, the BBC Music Magazine team share the festive tunes that make our hearts sink
9 mins
Christmas 2025
BBC Music Magazine
Bach's recycled choral music brings festive cheer to Leipzig
Shout, exult, arise, praise these days! Glorify what the Almighty today has done!' Early on the morning of 25 December 1734, these words resounded from the choir stalls of the Thomaskirche, Leipzig, to a jubilant accompaniment of festive timpani, pealing trumpets and scampering violins. Seated at a keyboard, the church's director of music Johann Sebastian Bach marshalled the musicians in a performance of the cantata Jauchzet, frohlocket! Auf, preiset die Tage, which preceded the sermon in the morning service.
3 mins
Christmas 2025
Listen
Translate
Change font size

