A) KILLERS OF THE FLOWER MOON
Based on David Grann’s 2017 non-fiction book of the same name, Martin Scorsese’s western (yes, he’s finally made it) delves deep into manifest destiny, greed, racism, neocolonialism and misogyny in a rich, immersive masterclass that braids together the interests of his past projects. Faith, persecution, racketeering, entitlement, the corrupting influence of money, the disposability of life… all are present in a nailed-on awards magnet that might be some of the best work we’ve ever seen from all involved.
Set in early 1920s Oklahoma, the story centres on Mollie (Lily Gladstone), a young Osage Nation woman and the hugely wealthy owner of headrights (the inherited mineral rights to oil-rich Osage County) – no wonder lascivious white men such as feckless WW1 returnee Ernest Burkhart (Leonardo DiCaprio) eye her with avarice. A tribal generation is being eradicated and stolen from via widespread conspiracy and murder – a movement spearheaded by Robert De Niro’s local white ‘saviour’, William ‘King’ Hale. Torn between faithfulness to her beau and terror at the devastation happening on her own lands, Mollie hopes that authorities outside of the complicit local cops might be able to stop the killing of people and culture.
Diese Geschichte stammt aus der July 2023-Ausgabe von Total Film.
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Diese Geschichte stammt aus der July 2023-Ausgabe von Total Film.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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