Aseem Mishra ISC, a seasoned cinematographer, traces his cinematic journey from the coal mining town of Dhanbad to the world’s movie sets. Born and raised amidst officers of the “Indian School of Mines”, his early exposure to films in the officers’ club sparked a lifelong passion. After specializing in cinematography at “MCRC Jamia Milia Islamia University”, he delved into news features, documentaries, and multi-camera setups. His remarkable career spans shooting in war-torn zones, directing ads, and contributing to iconic films like “New York,” “Bajrangi Bhaijaan,” and “83.” Mishra’s recent project, “Mission Raniganj,” allowed him to artistically portray the 1989 rescue operation in a coal mine, presenting unique challenges and creative triumphs. In this interview, he shares insights into his creative process, the significance of Sony VENICE in “Pooja Entertainment’s Mission Raniganj” and the evolving landscape of cinematography. With the Sony VENICE camera, Mishra achieved his vision for the film’s low-lit underground sequences and night rescue operations, showcasing the camera’s prowess in capturing cinematic brilliance.
What inspired you to become a cinematographer and how did you get started in the industry?
Diese Geschichte stammt aus der December 2023-Ausgabe von Digital Studio.
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Diese Geschichte stammt aus der December 2023-Ausgabe von Digital Studio.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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