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GREEN ACRES

September 2025

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Architectural Digest US

Trading New York for the mountains of Virginia, influential fashion critic Cathy Horyn enlists architect David Bers to help conjure the flower farm of her dreams

GREEN ACRES

I had the name of my farm, Miniver—after the 1942 movie Mrs.

Miniver, which I always loved for its wartime story and English scenery—before I had the land, and I found the land quite by accident. I wanted to start a small flower farm near Charlottesville, Virginia, an area I knew from my early newspaper days, in the ’80s. Virginia had the advantage of kinder winters and taxes than New York, where I'd lived and raised a son, Jacob, in the Hudson River town of Garrison for 20 years. Those were good reasons to load the dog in the car and head south in the spring of 2015 to look for land, but that wasn’t all. Despite a lifetime of covering fashion, mostly for The New York Times and New York magazine, where I still work, and enjoying many glamorous locales, sometimes the place you know in your 20s is the one you call home. That's how I feel about Charlottesville and the green hills surrounding it. Or maybe I’m just a country person at heart.

imageBy June, the hunt for Miniver wasn’t going well. I seemed to view only eyesores or land I couldn’t afford. Then, on a trip with my son and a friend of ours, I decided at the last minute to stop at a real estate office in nearby Orange. I asked the agent if he knew of anything for sale along a certain beautiful road that I remembered, a road I had been down many times with a guy I once knew. He said there was one property, but from his tone and description it sounded dismal. I decided to drive out anyway, curious to see the area again. The agent said to look for a sale sign. On the road the mountains opened up spectacularly. Grapevines and hay covered the hillsides. After several miles we veered onto a smaller road and, at a bend, we saw a broken-down house sitting on a small rise. Could that be the property?

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Architectural Digest US

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Architectural Digest US

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WITH HELP FROM DESIGNER REMY RENZULLO, JESSICA SAILER TAKES THE PATIENT, EVOLUTIONARY APPROACH TO OUTFITTING A BROOKLYN TOWN HOUSE FOR HER FAMILY

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Architectural Digest US

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FOREVER YOUNG

YOUNG HUH’S ROMANTIC HUDSON VALLEY FARMHOUSE IS A DREAMY BLEND OF COTTAGE STYLE, KOREAN HERITAGE, AND STIRRING REINVENTION

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Architectural Digest US

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Lighting sculptor Stephen White constructed more than 2,000 works over his six-decade career, at least one a staggering 18 feet tall, yet his meticulous scrapbooks contain scant evidence of public recognition. A few newspaper clippings from Hawaii and the West Coast sit next to a single national magazine cover, nearly half a century old the logo obscuring White's (uncredited) design

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Architectural Digest US

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AT NORTHERN CALIFORNIA'S ICONIC SEA RANCH, HARD BY THE PACIFIC, COMMUNE DESIGN HELPS A YOUNG CREATIVE COUPLE MANIFEST THEIR DREAM OF COASTAL BLISS

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Architectural Digest US

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DESIGNING A ROOFTOP GARDEN FOR THE STUDIO MUSEUM IN HARLEM, SARA ZEWDE TAKES INSPIRATION FROM THE NEIGHBORHOOD AS A PLACE AND AS AN IDEA

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Architectural Digest US

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CUTTING A RUG

Even during Sweden's famously long and bitter-cold winter, the dining room at Beata Heuman’s 18th-century family farmhouse bursts with life thanks to the hand-painted mural of tulips, lilies, dahlias, and fruit trees—all a nod to flora on the property grounds, much of it planted by her mom. Now, the AD100 designer has teamed up with the British wall covering brand de Gournay to bring that tableau (ever so slightly tweaked) into production. Heuman says of the collaboration, which also includes Delft Folly, her riff on the classic Dutch blue-and-white tiles. degournay.com

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At Milan's new Olympic Village, architects Skidmore, Owings & Merrill envision community well beyond the Games

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