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Air Force Zero – Analog Corner

Stereophile

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September 2021

Spring cleaning

- By Michael Fremer

Air Force Zero – Analog Corner

I don’t like being pigeonholed as a reviewer of exclusively expensive audio components—because I’m not, as anyone who regularly peruses Analog Planet knows. So, to ease the pain of reviewing the half-million-dollar Air Force Zero turntable—you’ll find that review on p.53 of this issue—I figured I’d cover some more reasonably priced analog gear here in Analog Corner.

Plus, I need to do some spring cleaning and tidy up a few loose reviewing ends: Only products reviewed in Stereophile qualify for the Recommended Components list, so when I review something at Analog Planet that I think should be on that list, I need to cover it here, too.

Take, for instance, QHW Audio’s The Vinyl MM/MC phono preamp. (QHW stands for “Quality Hi-Fi Works.”) See my full review at Analog Planet.1 This exceptionally fine-sounding phono preamplifier currently sells for just $786.96 including shipping to America, from Spain, where it’s designed and manufactured by Francisco Vizcaya Lopez, a music professor, concert performer, and composer with engineering skill sufficient to allow him to design this exceptionally fine-sounding phono preamp and several other hi-fi products.

When I reviewed it last April, the cost was even lower, at $644.83. The price fluctuates because Mr. Vizcaya Lopez pegs the price to currency fluctuations—exchange rates—instead of building in a price cushion. It’s a more consumer-friendly approach.

WEITERE GESCHICHTEN VON Stereophile

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ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

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Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

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Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

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EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

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RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

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Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

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Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

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Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

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CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

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Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

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