Dead Men Walking

How Sri Lankan crime novels engage with the country’s past

- SMRITI DANIEL

WHEN WE MEET MAALI ALMEIDA—an intrepid photojournalist and the protagonist of Shehan Karunatilaka’s Chats with the Dead, published earlier this year—he is recently dead. The novel is set in 1989, a time Karunatilaka chose because it was what he calls a “perfect storm of terrors.” The Liberation Tigers of Tamil Eelam, the Sri Lankan army, Indian peacekeepers, members of the Janatha Vimukthi Peramuna party and the state’s death squads were all locked in conflict on Sri Lankan soil, running an obstacle course filled with curfews, bombs, assassinations and abductions.

The story is told from Maali’s perspective, as he tries to navigate the convoluted landscape of the afterlife, and reconcile with his own death. He does not remember who his killer is—and so, in fact, has been effectively disappeared, both from the world and from himself. “The details come to you in itches and aches,” he muses. “In the Sri Lanka of the ’80s, ‘disappeared’ was a passive verb, something the government or JVP anarchists or Tiger separatists or Indian Peace Keepers could do to you depending on which province you were in and who you looked like.”

Before this book, Karunatilaka was best known for