Facebook Pixel RK Films Was Born With Raj Kapoor And Died With Him | Outlook – News – Lesen Sie diese Geschichte auf Magzter.com

Versuchen GOLD - Frei

RK Films Was Born With Raj Kapoor And Died With Him

Outlook

|

July 02, 2018

Ranbir Kapoor is one of the biggest stars outside of the Khanate ruled by the Aamir-Salman-Shahrukh triptych in Bollywood. But his last few movies have not set the cashbox ringing at the box office, the ultimate arbiter of an artiste’s worth over a weekend in a cut-throat film industry. The 35-year-old actor now returns with a biopic on Sanjay Dutt made by a filmmaker with the Midas touch, Rajkumar Hirani, who has never failed in the past 15 years. In a freewheeling interview with Giridhar Jha, barely a few days before the release of Sanju, Ranbir discusses, among other things, the most challenging role in his career and why he does not want to spoil the legacy of R.K. Films by reviving the iconic banner founded by his legendary grandfather Raj Kapoor. Excerpts from the interview:

RK Films Was Born With Raj Kapoor And Died With Him

Going by the response to Sanju’s trailer, your mom ought to be ordering a new shelf to stack up all the awards that you are most likely to win next year. But tell me, what were your initial thoughts when Rajkumar Hirani offered you the biopic on Sanjay Dutt?

A lot of fear. I was being offered a film by Rajkumar Hirani! I had always wanted to work with him. When he told me he is making a biopic on Sanjay Dutt’s life, I was a little sceptical. I wondered how you could make a story on a superstar who is still working. Would I be able to do it? I had performance anxiety. But all my fears went away once I read the script. Raju sir has done it in such a sensitive, emotional, funny and entertaining way. This project has become an actor’s dream come true. It has been a once-in-a-lifetime experience for me.

Still, some apprehensions must have persisted.

Absolutely! The script was merely the first step. For the next six months, we were doing things like make-up and prosthetics trials. I was trying to imitate him and failing miserably every day—just trying to build this character and do complete justice to it. Portraying Sanjay Dutt! It’s a huge responsibility. Initially, there were a lot of upsets, but everybody associated with the project had faith in the material and a belief that we are all here to make a good movie.

Sanju is not a propaganda film. It’s an honest portrayal of a very flawed man who has fallen down many times, but has also picked himself up. It is also about a complex relationship between the father and son, his relationship with many women and his best friend, his tryst with the law, being in jail, the gun episode...drugs. There was so much drama and so many emotions in this film that it seemed scary and daunting, but I was very inspired to be part of this journey.

WEITERE GESCHICHTEN VON Outlook

Outlook

Outlook

The Spectacle of the Woman Accused

Media narratives—especially when women are involved—can end up amplifying suspicion and weaponising gender

time to read

7 mins

March 11, 2026

Outlook

Outlook

The Stink of Epstein

Why are the rich and powerful of the world scared of what lies buried in the Jeffrey Epstein files?

time to read

6 mins

March 11, 2026

Outlook

Outlook

Passing the Watermelon

Narendra Modi's presence in Israel is being read not just as a bilateral engagement, but as an endorsement of Israeli action in Gaza and the West Bank

time to read

5 mins

March 11, 2026

Outlook

Outlook

For Phoolan, Who Wasn't a Devi

“Whether or not it is the Truth is no longer relevant. The point is that it will, (if it hasn’t already) - become the Truth. Phoolan Devi, the woman has ceased to be important. (Yes of course she exists. She has eyes, ears, limbs, hair etc. Even an address now) But she is suffering from a case of Legenditis. She’s only a version of herself. There are other versions of her that are jostling for attention. Particularly Shekhar Kapur’s “Truthful” one, which we are currently being bludgeoned into believing.”–Arundhati Roy in ‘The Great Indian Rape-Trick I’, on the film Bandit Queen by Shekhar Kapur based on Phoolan, whom he never met because he didn’t think he needed to meet her. The film was based on journalist Mala Sen’s book India’s Bandit Queen: The True Story of Phoolan Devi.

time to read

5 mins

March 11, 2026

Outlook

Outlook

The Chic Cartel

Women are not just victims or side characters in recent crime-and-power OTT dramas. They are complex forces-capable of empathy, strategy and ruthlessness-whose narratives demand both recognition and reckoning

time to read

5 mins

March 11, 2026

Outlook

Outlook

The Hierarchy of Sympathy

In crimes against women, justice is shaped not only in courtrooms but in newsrooms where narrative determines whose suffering becomes national conscience and whose fades into procedural silence

time to read

5 mins

March 11, 2026

Outlook

Outlook

Dasyu Sundari

Media accounts simultaneously cast her as victim and avenger, until a life shaped by caste violence and gendered oppression was repackaged into a consumable myth of dishonour and revenge

time to read

8 mins

March 11, 2026

Outlook

Outlook

Prince Pervert

Are rumours of the death of the rule of law vastly exaggerated?

time to read

4 mins

March 11, 2026

Outlook

Together, Apart

Poonam Saxena's translations of Mannu Bhandari and Rajendra Yadav's memoirs present a portrait of the trailblazing Hindi writer-couple's marriage and of newly independent India

time to read

3 mins

March 11, 2026

Outlook

Outlook

The Great Indian Rape Trick'

The trope of transforming sexual violence against women into a springboard for rage that can only be channelled through counter-violence has long served as a popular framework in cinema, both globally and in India

time to read

6 mins

March 11, 2026

Translate

Share

-
+

Change font size