Baz Lurhmann: The idea was to play the play in contemporary images. My thing about Shakespeare is this incredible pretense and this mentality about the rule book, about the way in which it is correct to do Shakespeare. Most of those ideas are 19th-century interpretations – very little to do with the Elizabethan stage. So I went to the studio and I told them the idea. [They said] “It’s really great, but just one thing; can you take the language out?”
ON CASTING ROMEO AND JULIET
BL: Leonardo DiCaprio was always going to be Romeo. I just thought, ‘He’s Romeo,’ and I rang up his agent. We met and I said, ‘Look, don’t say yes or no, but come down to Sydney, go diving on the Barrier Reef and we’ll work for a week. If you like it, we’ll talk more…’ So he came down for a week. He worked. I asked Don McAlpine, who I didn’t know and who was one of the highest paid DPs in the world, to get a video camera, and we shot three large sections of the film with actors and my little team, with everything we could get, and we made this little video. Once [the studio] saw just how clear a lot of the telling of the story could be, then there was a sense of ‘it might work’.
Leonardo DiCaprio: We interviewed a lot of girls for Juliet, because we wanted to get a powerful Juliet instead of one that’s sort of really dreamy. We wanted someone that could be intense with the emotion, and once I met Claire, I said, “Wow, this girl’s powerful. She knows what she’s doing!” and Baz agreed with me, and then we hired her.
Diese Geschichte stammt aus der October 2021-Ausgabe von Total Film.
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Diese Geschichte stammt aus der October 2021-Ausgabe von Total Film.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
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