Nineteen years after his doc Biggie & Tupac investigated the murders of two of America’s most iconic rappers, Nick Broomfield is back on the streets of Compton. “I felt very heavily invested in the story,” admits the British filmmaker, whose new work the Last Man Standing picks up the threads of its predecessor. With these crimes never fully solved, Broomfield felt justified in returning to the scene of Death Row Records, the now-defunct but once-influential label owned by impresario Suge Knight.
Diese Geschichte stammt aus der June 2021-Ausgabe von Total Film.
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Diese Geschichte stammt aus der June 2021-Ausgabe von Total Film.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
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