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Samantha Bee Has No F—S Left To Give

The Hollywood Reporter

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April 26, 2017

Late night’s queen of the Trump takedown gets grilled by LENA DUNHAM on her White House Correspondents’ Dinner special, the ‘raging negativity’ of politics and the fraught new normal: ‘Every time I turn my phone off something terrible happens’

- Lena Dunham

Samantha Bee Has No F—S Left To Give

“You don’t know how much you mean to me,” says Lena Dunham as she opens her arms to embrace Samantha Bee.

For the Girls creator and many more, Bee’s weekly late night TBS program Full Frontal has become, in the Trump era, a tragicomic feminist primal scream. So Dunham, herself a lightning rod and millennial icon — and surrogate for Hillary Clinton during the 2016 campaign — has come to The Hollywood Reporter offices in Manhattan to interview Bee in advance of Bee’s April 29 Not the White House Correspondents’ Dinner special.

Dunham tells Bee that she has been instructed to say hello from Amy Poehler and Amy Schumer, with whom she is on a text chain. But despite their shared New York City area code and professional milieu, Dunham, 30, and Bee, 47 — a married mother of three children (ages 11, 8 and 6) with husband Jason Jones — have not met until now. “My life is super not fabulous,” explains Bee. “I don’t really go out or do stuff.” Onscreen, however, Bee has done a lot of “stuff.” After 12 years on The Daily Show With Jon Stewart, in 2015 she left for a deal at TBS that made her the only woman in cable or broadcast late night. (Bee and Jones, also a Daily Show alum, co-executive produce the TBS comedy The Detour, on which Jones stars; he also is an executive producer on Full Frontal.)

WEITERE GESCHICHTEN VON The Hollywood Reporter

The Hollywood Reporter

The Hollywood Reporter

Michael Ovitz, Me And The Truce That Never Was

As a new book puts the focus back on CAA’s origins, Kim Masters recalls how the agent’s fit at The Palm and her follow-up kicked off one of Hollywood’s prickliest pas de deux.

time to read

12 mins

September 2-9, 2016 Double Issue

The Hollywood Reporter

The Hollywood Reporter

Songs Of Innocence And Experience

How 5 writers found the music to convey their films’ tragedy, injustice, patriotism and loveA Wonderful Example of ‘What the World Loves About America’

time to read

3 mins

Awards Playbook Special 2 - Nov. 2016

The Hollywood Reporter

The Hollywood Reporter

Execs Can Boycott The Press Tour — But Not The Pressing Questions

With top programmers passing on January’s TV Critics Association panels, THR poses (and answers) the five toughest quandaries of the unfolding season

time to read

4 mins

December 16, 2016

The Hollywood Reporter

The Hollywood Reporter

Making Of Kubo And The Two Strings

Old-fashioned stop-motion meets new-fashioned 3D printing in this directorial debut by the head of Portland, Ore.-based Laika studios — and THR was on the set.

time to read

5 mins

Awards Playbook Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

A World Of Pioneering Talents

Along with best picture contender Elle these 13 films may have the momentum to make the Oscar shortlist (still to be announced as this issue went to press)

time to read

6 mins

Essential Awards Playbook, Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

Iain Canning & Emile Sherman

The Brit-Aussie team behind Lion talk winning an Oscar for The King’s Speech, working with Harvey Weinstein and the upcoming biblical epic Mary Magdalene

time to read

6 mins

December 9, 2016

The Hollywood Reporter

Producer Of The Year Charles Roven

He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office.

time to read

10 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

The Hollywood Reporter

No Happy Endings Required

The death of satire, when to kill a scene and how to write a Trump movie (‘Let’s hope it’s not a tragedy’).

time to read

17 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

Matt Tolmach

The Sony exec turned Rough Night producer on Hollywood’s dilemma: ‘Audiences want what feels familiar, but they don’t want it to be familiar’

time to read

5 mins

May 31, 2017

The Hollywood Reporter

In Defense Of Good O1' Network TV

With his NBC breakout now broadcast’s best shot at cracking the Emmy drama category long dominated by cable and streamers, the This Is Us creator celebrates entertainment’s last wide net

time to read

3 mins

May 31, 2017

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