Artist PROFILE
Dan Franke
LOCATION: Germany
Dan is a director and VR artist based in Germany. He’s the co-founder of Studio Syro, a virtual animation studio with an international team of artists. He’s working on the second season of Tales from Soda Island, the world’s first VR series that’s entirely created in VR. studiosyro.com
When we came to make our new VR animated short Namoo, which we call a narrative poem brought to life, Oculus Quill was the obvious choice to achieve the painterly look we wanted. Quill is a VR painting and animation software created by Smoothstep, which enables you to make art in a virtual space, in 360 degrees. It’s quite amazing and not too challenging to pick up and begin having fun with.
Imagine not being limited to painting on a 2D surface such as on a drawing tablet, but in 3D and all around you, and then taking your creations in your hand and moving them through space to animate them. This is what Quill offers, and while we’ve used it to create our movie, it can be used for all sorts of VR art and animation projects.
In the following 10 tips I’ll walk you through some key capabilities of Quill and the things to keep in mind when creating a VR film like Namoo. We’ll look at sketching in a 3D space, using the software to storyboard, animating frame-by-frame… all sorts of tips and techniques to get you started.
1 SKETCHING IN QUILL
Diese Geschichte stammt aus der February 2022-Ausgabe von ImagineFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Diese Geschichte stammt aus der February 2022-Ausgabe von ImagineFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
A Tribute To Akira Toriyama
Remembering a legend Artists from across the world pay homage to the influential manga artist and genius creator of Dragon Ball
First Impressions
The illustrator reveals his journey through the world of art
DEVELOP 3D SKILLS FOR CONCEPT ART
Gaëlle Seguillon creates a breathtaking fantasy environment by combining a selection of techniques within her workflow
DRAW FUTURISTIC VEHICLE DESIGNS
John A. Frye uses just a single brush to transform his messy thumbnail into a bold and colourful hard-surface creation
PART 5: SIMPLIFY THE VALUE SCALE
Charlie Pickard introduces his top advice for achieving strong values in your artwork to create clear and powerful imagery
Charles Ratteray
Page-turner Library meets laboratory in the artist's studio, packed with inspiration and a mix of media
How to tell a story in an image
Narrative masters Tanya Combrinck talks to four artists about using visual elements to imbue their work with personal and universal human stories
ILLUSTRATE A MAGICAL CHARACTER
For this illustration, I was asked to create a fun, bright image with the theme of making artwork magical by the developers behind the digital drawing app Clip Studio Paint.
First Impressions - Glenn Arthur
Influences from Disneyland shape the artist’s work
THE ART OF BRIAN SUM
Dominic Carter talks to the mech master about honing his cyberpunk visions, character designs, and his new artbook