In her more than a decade long career in Bollywood, Richa Chadha has realised that one can’t afford to lose the hunger of doing better work because the only way to keep going forward in the industry is to remain grounded and keep aside ego.
Though Oye Lucky! Lucky Oye! in 2008 marked her first on-screen appearance, it was four years later with Gangs of Wasseypur where Richa emerged as a breakout star. Over the years, the actor keeps close to her what she has learned from the industry: to never be complacent.
“Bollywood has taught me that if you have the talent and are ready to work without massive ego, complications, if you can keep sane and keep working, then you’re in it for a long haul,” Richa told PTI in an interview.
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Diese Geschichte stammt aus der DECEMBER 2019 COVER PAGE -Ausgabe von GLOBAL MOVIE MAGAZINE.
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'Women don't have to only sing and dance'
'When you are new, you don't know how the industry works.' 'But when you know where you are headed, the possibilities of being conned or facing unpleasant instances is reduced.
I haven't done homework for my films'
'In India, I'm able to work with the biggest stars on creating a scene, creating that emotion, without being too hung up on their persona.
'I learned about Bollywood by being a part of it'
'In India, I'm able to work with the biggest stars on creating a scene, creating that emotion, without being too hung up on their persona.
'MY FACE IS MY GREATEST USP'
'My tool is the way I look. This is the only thing that distinguishes me.' 'Most of us dress similarly. What sets you apart is your face. If you change that also, you're like anybody else.
'My Life Was In Danger'
\"I received many threatening calls and letters.' 'A fatwa was issued against me.'
'I AM BRAHMA, VISHNU, MAHESH!'
Tanishaa Mukerji started her acting career with a bang when she got to play a YRF heroine in her second film Neal 'n' Nikki (2005).
Everybody would say I should act like My Sister
‘Padmini and are very different people.’ Our acting styles are very different. She's from a different era.’
'Girls Are Becoming Suicide Bombers'
'When I am doing a film, that film is not propaganda for me. That's a true thing.
'Four women in their 60s followed me...'
'Don't object to change; understand why people like it.' 'Don't object to change; understand why people like it.'
'EVERYBODY REJECTED ME'
It is only fair that being around the industry has to rub off on its children.
