The first meeting of Women Who Submit took place in Los Angeles in 2011, following a discussion among writers and cofounders Alyss Dixson, Ashaki M. Jackson, and Xochitl-Julisa Bermejo about women’s representation in publishing. Dixson had worked with the organization VIDA: Women in Literary Arts, which—among many efforts to diversify literary publishing—compiles statistics regarding gender parity in the publishing industry. That year VIDA released the first of what would become an annual analysis of gender representation in widely distributed literary journals and periodicals. The results were striking: On average only 28 percent of the bylines in the thirteen publications that were the focus of the first study belonged to women. Representation at some publications was as low as 16 percent. Dixson and the other VIDA organizers reached out to the editors of some of the reviewed journals to ask about the editorial gatekeeping that created this inequity and how women and nonbinary writers might push back against it.
“The most common answer was that women don’t submit as often and don’t resubmit as aggressively as men,” says Bermejo. “Alyss, knowing that information, was brainstorming how we could make a difference, and she came up with this idea of a submission party.”
Diese Geschichte stammt aus der May - June 2021-Ausgabe von Poets & Writers Magazine.
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Diese Geschichte stammt aus der May - June 2021-Ausgabe von Poets & Writers Magazine.
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
The History of a Difficult Child
MIHRET Sibhat's debut novel begins with God dumping rain on a small Ethiopian town as though. He were mad at somebody.
The Sorrows of Others
AS I read each story in Ada Zhang’s brilliant collection, The Sorrows of Others, within the first few paragraphs— sometimes the first few sentences— I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
We Are a Haunting
TYRIEK White’s debut novel, We Are a Haunting, strikes me as both a love letter to New York City and a kind of elegy.
RADICAL ATTENTION
IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
The Fine Print
HOW TO READ YOUR BOOK CONTRACT
Blooming how she must
WITH ROOTS IN NATURE WRITING, ENVIRONMENTAL JUSTICE, POETRY, AND PHOTOGRAPHY, CAMILLE T. DUNGY'S NEW BOOK, SOIL: THE STORY OF A BLACK MOTHER'S GARDEN, DELVES INTO THE PERSONAL AND POLITICAL ACT OF CULTIVATING AND DIVERSIFYING A GARDEN OF HERBS, VEGETABLES, FLOWERS, AND OTHER PLANTS IN THE PREDOMINANTLY WHITE COMMUNITY OF FORT COLLINS, COLORADO.
Best Wishes
Stories from the front of the book-signing line
Annie Hwang - Agents & Editors
Annie Hwang of Ayesha Pande Literary talks about community building, professional burnout, the questions writers should ask when querying agents, and the demanding work of advocating for diversity in publishing.
Reclaiming My Book
TRANSLATING AMERICAN SIGN LANGUAGE TO TEXT AND SOUND