At that time, citizens were assured they would not have to worry about supplies. But then everything slammed shut, leaving everyone stranded without enough food or medicines to last more than a couple of days. The resulting panic was compounded by government mismanagement. That’s when Praveen Naik started posting images of his artworks every day on social media, where I became hooked on them via Facebook.
Diese Geschichte stammt aus der December 2020-Ausgabe von Art India.
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Diese Geschichte stammt aus der December 2020-Ausgabe von Art India.
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"The Fine Art of Going to the Pictures."
Dr. Banerjee in Dr. Kulkarni's Nursing Home at Chemould Prescott Road brings together 26 paintings featuring a series of dramatic scenes from Hindi and Bengali films. In conversation with Abhay Sardesai, artist Atul Dodiya talks about childhood trips to movie halls, painted figures gripped by tension, and the closeness and remoteness of cinematic images.
"To Finally Have Something of Your Own to Mine."
Dayanita Singh is the recipient of the coveted 2022 Hasselblad Award. Keeping the photograph at the centre, she speaks to Shreevatsa Nevatia about books, book objects, photo novels, exhibitions and museums.
FORCE OF NATURE
Alwar Balasubramaniam dwells on absences and ephemeralities in his new work, states Meera Menezes.
THE FRACTURED PROSPECT
Nocturnal landscapes as ruins in the making? Adwait Singh looks at Biraaj Dodiya's scenes of loss.
TEETERING BEYOND OUR GRASP
Meera Menezes traces Mahesh Baliga's journey from Moodabidri to London.
QUOTIDIAN REVOLUTIONS
Arushi Vats shows how Rajyashri Goody is remaking the public sphere by addressing Dalit identity and history.
MEASURES OF SILENCE
Dia Mehhta Bhupal's constructed sets evoke absent presences and textural depth, states Sandhya Bordewekar.
RETURN TO RHYTHM
The 14th edition of the India Art Fair, with its extended sprawl of galleries, witnessed a consolidation of energies, feels Aranya.
All Eyes on The Prize
Jasmine Shah Varma gives a round-up of this year's Asia Arts Game Changer Awards India.
KEEPING QUIET AND SPEAKING OUT
The Whitney Biennial 2022 is only partially successful in addressing forms of control and exclusion present in American society and life, observes Rohini Iyengar.