There's Space For An Older Sensual Woman
Verve|January-February 2019

Women on the silver screen had just begun to showcase a certain confidence, independence and joie de vivre. And ’90s superstar Raveena Tandon infused each of her performances with her distinguishable brand of physical energy and natural femininity. Paromita Vohra, writer-filmmaker, has a conversation with the accidental actor to examine the space she occupied on celluloid in her heyday, and follows her evolution into an even more self-aware sex symbol since then.

Paromita Vohra
There's Space For An Older Sensual Woman

People who grew up in the 1990s will remember the advertisements for Maggi Hot and Sweet Sauce starring Jaaved Jaaferi and Pankaj Kapur. One of which featured this very entertaining line about the joys of having a colour TV: “Channel One — London, Channel Do — Raveena Tandon.”

I’m smiling at the memory of it as I sit before Raveena Tandon now, in 2019, as we talk of her 28-year film career and what it meant to be an actress in the ’90s. She is strikingly beautiful, disarmingly candid, naming names, airing opinions and girlishly voluble, but with an uncommon ability to pay attention to questions and really think about them before responding.

“Although I came from a film family, I guess we were very non-filmi. My mother sent me to school with oil in my hair for years, and people would mock me, calling me ‘vernie’ (vernacular) or ‘behenji’ (dork) or be like, ‘Your dad works in Hindi films? Eww!’” We laugh because as part of a certain generation, we remember acutely a time when any Bollywood love you had, had to remain firmly in the closet, and public life and coolness was all about acting as if you only liked ‘English’ movies and ‘English’ music.

“Acting wasn’t really in my plans as such. I was studying and thinking of doing the IPS exam, or becoming a pilot. But I was in the middle of an internship with Prahlad Kakkar, when I got a call from Shantanu Sheorey’s office saying they had heard of me on the college scene and wanted to shoot me. That led to my doing an ad for Sunsilk. Then I ended up doing more ads — one for Bisca noodles, one for Dollops ice-cream. I was just 15 or 16, drifting along like most young people do. I thought, ‘Ok, I’ll do this now.’”

This story is from the January-February 2019 edition of Verve.

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This story is from the January-February 2019 edition of Verve.

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