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CYCLOSTYLE AT MIDNIGHT: TWO YEARS OF UNDERGROUND PRESS OF THE EMERGENCY
September 20, 2025
|The Business Guardian
The Emergency taught readers to “read between the lines” and proved that when speech is policed, literature multiplies ways to speak.

When the Emergency clamped down on speech on the night of June 25, 1975, India’s information economy split in two.
Above ground, newspapers ran with “cleared” headlines, radio scripts passed through vetting desks, and a single government-controlled wire service, Samachar, standardized copy across the country. Below ground, however, a second world of words flickered to life—typed on stencils, inked on cyclo-style drums, couriered by students, railwaymen, and housewives, and slipped under hostel doors before dawn. These clandestine bulletins—part newswire, part rumor circuit, part civic lifeline—kept a record of arrests, protests, demolitions, and resistance that the official press would not carry.
WHAT THE UNDERGROUND ACTUALLY LOOKED LIKE
‘The basic unit was the cyclo-styled bulletin—two to eight pages, single-colorink, rough margins, and a smudge of purple on the courier’s fingers. A small group would meet in a safe flat or back room after dark; one person typed through a waxed stencil, another aligned the Gestetner or Roneo machine, athird sifted notes from couriers or shortwave radio reports. Content wasspareand functional: lists of detainees; dates and locations of raids; instructionson howtocontact alawyer;atwo-linesummary ofaprotestin Bombay, acourt development in Gujarat, ora sterilization drive ina North Indian district. Because namescould endanger soure-es, many bulletins relied on metonymicdetail—the police station, the section number, the bus route—clues that lo-calreaders could decode. By early morning, students on bicycles, union volunteers, or neighborhood women on routine errands would drop packets at campuses, clinics, and temples. In cities like Bombay (Mumbai), such pamphlets were produced and moved by discreet circles of writers and poets; in hostels, they appeared like samizdat, slid under doors before sunrise.
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