Sometimes the feedback is actually helpful

These nominated TV producers heeded others’ advice and it made their shows all the better

- Daron James

FEEDBACK IS THE SEASONING THAT FLAVORS THE success of our favorite TV shows. Whether it’s from an executive, a trusted colleague or the actors, advice can shape tone, pacing, plotlines and character arcs — all of which can make or break a series. We asked some of this year’s Emmy contenders how creative collaborations provided the notes to their success.

“THE DIPLOMAT”

To create the unrelenting tension in the Netflix political drama, which was inspired by conversations with real diplomats, creator Debora Cahn turned to advice from “Homeland” showrunner Alex Gansa: “He said take whatever story that you're planning in the last episode of the first season and do it in the first episode. And I was like, ‘Ooh, s—.’” The result hurls lead Kate Wyler (Keri Russell) into high-stakes chaos, none wilder than her clash with the vice president (Allison Janney) and a jaw-dropping Season 2 twist. “I was embarrassed to pitch it to the writers’ room. It was an unspeakably dumb idea and a bad cliche, but I had to get it off my chest. We looked for other things, but we kept coming back to it and realized that it did the thing that you really want a plot to do, which is it changes everything.”

“MONSTERS: THE LYLE AND ERIK MENENDEZ STORY”