يحاول ذهب - حر
Ravana's Women
October 11, 2023
|Outlook
Why does Hindutva only see women as Sita or Surpanakha and not talk about the warrior women of Ramayana at the receiving end of violence?
THE Hindutva brigade keeps insisting it is the sole representative of Hinduism in the world, while it keeps promoting only Hindi, a north Indian language. Hence, a bill that aims to enable the equality of women in Indian politics is given a Hindi name, the Nari Shakti Vandan Abhinayam (or the Women’s Reservation Bill, 2023).
But typically, it becomes patronising as the bill is presented as an obeisance (vandan) to women’s power (nari shakti). That this obeisance will be given a few years later, not immediately, reveals the cynical nature of the bill.
Those promoting this bill are Hindi-speaking men who joyfully heckle Tamil female parliamentarians, on camera. This draws attention to an old divide, amplified since the 19th century—north Indian men are seen as followers of the Aryan Ram, and south Indian women are seen as the Dravidian king Ravana’s women.
Sanatani Hindutva’s Ram is always visualised alone, as a warrior, never as husband or lover, brother, son or father. Hindutva’s Hanuman, Krishna and Shiva are also visualised alone, in an aggressive stance. Women are shown as Durga, again a warrior, again alone. Bharat Mata is also alone, with a lion and weapons. God is male here and if not male, certainly violent. To justify the violence, the victims have to be evil or unjust or barbaric. That’s the job of the media, to project all victims as villains, deserving of violence. Ravana is then seen as a villain, but the problem is that he is also a Brahmin, and since the 19th century, a Dravidian. And he is surrounded by women who fight for him.
هذه القصة من طبعة October 11, 2023 من Outlook.
اشترك في Magzter GOLD للوصول إلى آلاف القصص المتميزة المنسقة، وأكثر من 9000 مجلة وصحيفة.
هل أنت مشترك بالفعل؟ تسجيل الدخول
المزيد من القصص من Outlook
Outlook
The Spectacle of the Woman Accused
Media narratives—especially when women are involved—can end up amplifying suspicion and weaponising gender
7 mins
March 11, 2026
Outlook
The Stink of Epstein
Why are the rich and powerful of the world scared of what lies buried in the Jeffrey Epstein files?
6 mins
March 11, 2026
Outlook
Passing the Watermelon
Narendra Modi's presence in Israel is being read not just as a bilateral engagement, but as an endorsement of Israeli action in Gaza and the West Bank
5 mins
March 11, 2026
Outlook
For Phoolan, Who Wasn't a Devi
“Whether or not it is the Truth is no longer relevant. The point is that it will, (if it hasn’t already) - become the Truth. Phoolan Devi, the woman has ceased to be important. (Yes of course she exists. She has eyes, ears, limbs, hair etc. Even an address now) But she is suffering from a case of Legenditis. She’s only a version of herself. There are other versions of her that are jostling for attention. Particularly Shekhar Kapur’s “Truthful” one, which we are currently being bludgeoned into believing.”–Arundhati Roy in ‘The Great Indian Rape-Trick I’, on the film Bandit Queen by Shekhar Kapur based on Phoolan, whom he never met because he didn’t think he needed to meet her. The film was based on journalist Mala Sen’s book India’s Bandit Queen: The True Story of Phoolan Devi.
5 mins
March 11, 2026
Outlook
The Chic Cartel
Women are not just victims or side characters in recent crime-and-power OTT dramas. They are complex forces-capable of empathy, strategy and ruthlessness-whose narratives demand both recognition and reckoning
5 mins
March 11, 2026
Outlook
The Hierarchy of Sympathy
In crimes against women, justice is shaped not only in courtrooms but in newsrooms where narrative determines whose suffering becomes national conscience and whose fades into procedural silence
5 mins
March 11, 2026
Outlook
Dasyu Sundari
Media accounts simultaneously cast her as victim and avenger, until a life shaped by caste violence and gendered oppression was repackaged into a consumable myth of dishonour and revenge
8 mins
March 11, 2026
Outlook
Prince Pervert
Are rumours of the death of the rule of law vastly exaggerated?
4 mins
March 11, 2026
Outlook
Together, Apart
Poonam Saxena's translations of Mannu Bhandari and Rajendra Yadav's memoirs present a portrait of the trailblazing Hindi writer-couple's marriage and of newly independent India
3 mins
March 11, 2026
Outlook
The Great Indian Rape Trick'
The trope of transforming sexual violence against women into a springboard for rage that can only be channelled through counter-violence has long served as a popular framework in cinema, both globally and in India
6 mins
March 11, 2026
Translate
Change font size
