يحاول ذهب - حر

The Art of Holding On

Summer 2025

|

Guitarist

Charlie Wilkins explores why guitarists crave sustain, how to get it and why some guitars sustain better than others

The Art of Holding On

One of the first things I do when picking up a guitar is play it unplugged. Before I even think about plugging into an amp, I want to feel how the wood responds, hear how long a note rings out and sense whether the guitar has that certain spark, like it's alive in my hands. In my experience, natural sustain and resonance begins with the guitar itself, not the gear it's plugged into. If a guitar doesn't speak to me acoustically, I'll probably move on to something else.

Sustain and resonance are some of the most sought-after qualities in a guitar, giving the player more expressive control, dynamics and tonal richness. Simply put, sustain is how long a string vibrates after being plucked. Resonance refers to how freely that vibration travels through the body and neck. Together, they shape the instrument's voice. While many players chase sustain through pickups, amps and pedals, most of the magic (or lack thereof) happens before your signal ever hits a cable.

So why do some guitars seem to sustain and resonate better than others? The short answer is: it's complicated. Sustain is the result of many interwoven factors including wood type, construction quality, hardware, setup and even the strings themselves. But when you strip it down to the essentials, I believe it mostly comes down to the wood and the strings.

Each type of wood influences tone, sustain and resonance in its own distinctive way. Mahogany, for example, is dense and warm with excellent sustain. Ash is brighter, with good snap and moderate sustain. Rosewood is lush and harmonically rich, with deep bass and long note decay. But wood choice alone doesn't tell the whole story. How a guitar is designed and assembled matters just as much.

المزيد من القصص من Guitarist

Guitarist

Guitarist

GEAR of The YEAR

THE BEST GUITARS, AMPS & PEDALS OF 2025

time to read

4 mins

January 2025

Guitarist

Guitarist

All Aboard

Reading a manual to find out how to connect your acoustic guitar to Bluetooth might deter some traditionalists, but there is treasure to be found for the adventurous

time to read

5 mins

January 2025

Guitarist

Guitarist

CONTROL SHIFT

The XS-100 and XS-1 pitch shifters set out to give modern players dominion over the wildest effect on the pedalboard. Boss's Matt Knight tells us more

time to read

7 mins

January 2025

Guitarist

Guitarist

The King's Head

The bombastic benchmark of the 'brown' sound has been channelled through a singleended EL34 power section and hybrid preamp, with significant volume and price savings

time to read

4 mins

January 2025

Guitarist

Guitarist

Fretbuzz

A monthly look at must-hear artists from all corners of the guitar world, from the roots of their sound to the tracks that matter most

time to read

2 mins

January 2025

Guitarist

Guitarist

Go Getter

Blackstar's palm-sized audio interface is a godsend for players who want better audio on their phone-recorded videos

time to read

2 mins

January 2025

Guitarist

Guitarist

FLOOR AMPS & MULTI-EFFECTS

This year's new tech puts a world of effects at your feet

time to read

1 mins

January 2025

Guitarist

Guitarist

Affordable Flight

With plenty already in the line-up, Gretsch has released a new range of both Electromatic and Streamliner Jets that appear modern- aimed and very affordable. What's new?

time to read

4 mins

January 2025

Guitarist

Guitarist

DELAY & MODULATION EFFECTS

Electro-mechanicals revisited, analogue modulation refined and esoteric ambiences combined

time to read

1 mins

January 2025

Guitarist

Guitarist

1967 Gibson Barney Kessel

This isn't a guitar I would normally choose for an article, but I think it demonstrates just how extreme Gibson's custom division was prepared to get in order to make a customer happy back in the day.

time to read

3 mins

January 2025

Listen

Translate

Share

-
+

Change font size