The audience begins to clap, gradually gathering speed in time with the pianists on stage. Willed on by the percussive accelerando, the duo zips through Zorba’s Dance, a piece by Greek composer Mikis Theodorakis that evokes ouzo-soaked taverns and hot summer nights. The dark-haired pianists, virtually identical in sunglasses and denim shorts, finish their own arrangement of Greece’s popular musical export with a flourish. As the sun makes a lengthy retreat behind the tree-lined stage, musicians invite young audience members to try out some instruments. A child delights at blowing a clarinet mouthpiece, another tentatively presses piano keys. These guests have come from one of the refugee camps that remain on Lesbos, the Turkey-adjacent island that unwittingly became the centre of the 2015 migrant crisis.
هذه القصة مأخوذة من طبعة February 2024 من BBC Music Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة February 2024 من BBC Music Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
FESTIVAL GUIDE 2024
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The world's most performed classical composer, a small, black-suited figure with a mop of white hair and mutton-chop whiskers, stands on the huge Brucknerhaus stage, almost invisible among the sea of musicians.