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Where Are All the Women Designers?

The Changemakers Issue

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Marie Claire - US

There's something missing from luxury fashion houses. And it's too obvious to be an oversight.

- BY EMMA CHILDS

Where Are All the Women Designers?

Five years ago, Hillary Taymour, the founder of one of New York City's buzziest independent fashion labels, Collina Strada, was interviewing for a new job. A creative director post had opened up at a European women's luxury brand—and if Taymour landed the role, she'd level up from dressing a devoted, U.S.-based clientele to designing for millions of women worldwide. After eight months spent interviewing with both HR reps and company executives, the SCAD alum felt confident she'd landed the gig. She even began packing her bags, arranged for someone to take over her Manhattan lease, and planned her first-day outfit as the new leader of a heritage fashion house.

But then the brand called back with a disheartening update: A male designer had been selected instead. Taymour was heartbroken but not surprised. To date, she's been in the running for creative director openings at seven other women's luxury brands. All but one position went to a male designer—an exception she says was simply a company mandate. the opportunity to dress women is appalling,” Taymour says, resigned, on a Zoom call in June.

Her story crystallizes a broader issue at the top of the fashion food chain: Coveted luxury womenswear creative director roles—those that design runway collections and set trends that eventually filter down to fast fashion—are still overwhelmingly held by men. Despite luxury fashion being an industry built around what women want to wear, women are rarely given a say in what that actually is.

Over the past few years, the major luxury houses have been playing a game of “creative director musical chairs,” as the fashion commentariat has come to call it. Alessandro Michele left Gucci and is now at Valentino; Pierpaolo Piccioli, previously at Valentino, starts at Balenciaga this October. Demna Gvasalia, formerly of Balenciaga, has taken over at Gucci, following a two-year tenure by Sabato De Sarno, who took over from Michele.

المزيد من القصص من Marie Claire - US

Marie Claire - US

Marie Claire - US

A NEW PRIVATE PRINCESS

When Sarah Pidgeon signed on to play Carolyn Bessette-Kennedy in one of the year's most sought-after roles, she had a feeling it would change her career. But when filming for Love Story began and the parallels to her main character appeared-the obsessive, sometimes critical, takes from fans, the incessant flock of paparazzi-it illuminated what she didn't want from fame.

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Marie Claire - US

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As industrial looms spin T-shirts en masse and shoes get assembled on conveyor belts, some in the fashion industry remain committed to a modern quality, while keeping traditional craftsmanship at the heart of their collections. From legendary luxury houses to small emerging labels, these 52 brands treat the skill and care that goes into making a garment or accessory as fundamental.

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For the past 20 years, the luxury brand has shaped countless microtrends and endless discourse on access, exclusivity, and quality in fashion. In a series of exclusive interviews, insiders explain exactly how the company did it—and what might come next.

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WOMEN & GUNS

Ten years ago, Marie Claire published a groundbreaking series that explored the complex world of females and firearms. A decade later, we're returning to the same topic to understand what's changed—and what hasn't.

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Wendy McMahon Isn't Done Making News

In her first in-depth interview since stepping down, the former president and CEO of CBS News opens up about why she suddenly left one of legacy media's top positions-and the clarity that came afterward.

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