WHEN THE VAMPIRES are played by Catherine Deneuve and David Bowie— chiseled features, haute froideur—it’s hard not to side with the bloodthirsty. The Hunger, Tony Scott’s 1983 directorial debut, opens in a New York nightclub, as Bauhaus frontman Peter Murphy sings the propulsive “Bela Lugosi’s Dead.” The lovers select their prey: a sunglasses-at-night guy and a redhead with slashes of eyeliner and crimson lips. She dances, unaware that she exits the film in six minutes flat.
هذه القصة مأخوذة من طبعة October 2023 من Vanity Fair US.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 2023 من Vanity Fair US.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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