Ableton Live 12's accessibility revolution
Computer Music|April 2024
Ableton's Accessibility Specialist Adi Dickens and blind musician Andre Louis speak to us about Live 12 and Note's improved accessibility for the visually impaired
Ableton Live 12's accessibility revolution

As the imminent release of Ableton Live 12 makes the inevitable waves, we all begin to focus on our new favourite features, things that we just know will become part of our daily workflow. Then, there are the additions which have less widespread appeal, but are equally - if not vitally - important for some. One example in Live 12 is in the arrival of accessibility for visually impaired musicians.

Live 12 is the first iteration of the popular DAW to include screen reader support on macOS and Windows. On macOS and iOS, there's the built-in VoiceOver application, while on Windows there's Narrator, and third-party solutions including Jaws. Now, Live 12 and Note on iOS, both support these.

This means that somebody who can't see well, or at all, can independently produce music with these for the first time, doing everything from opening the app to performing a live set or making a recording.

It really is impressive to experience this in action, as we did recently with London based artist Andre Louis, who is blind, and yet manages to be fully functional as a recording and performing artist with Note, and now, Live 12 (and it has to be said, before those, Logic Pro X).

Andre has been consulting with Ableton on their development of Note and Live 12, so we checked in with him and Ableton's Accessibility Specialist Adi Dickens to get some insight. "We've been collaborating in terms of Andre giving feedback about the choices we've been making," says Adi, "and the development process that's been happening since 2020."

هذه القصة مأخوذة من طبعة April 2024 من Computer Music.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة April 2024 من Computer Music.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.

المزيد من القصص من COMPUTER MUSIC مشاهدة الكل
BLEASS Arpeggiator
Computer Music

BLEASS Arpeggiator

Classic synth-based arpeggiators' up-down patterns can be tedious, says Stuart Adams. Can Arpeggiator bring the variability he craves?

time-read
3 mins  |
May 2024
Synthogy Ivory 3 German D
Computer Music

Synthogy Ivory 3 German D

One of the most highly regarded piano libraries around gets an update. Does it strike a chord with our reviewer, Herr Roland Schmidt?

time-read
3 mins  |
May 2024
MODALICS BITFUZZER
Computer Music

MODALICS BITFUZZER

Distortion can be a great effect for enlivening and mashing up sounds, and this month we've got you a plugin that can do both

time-read
1 min  |
May 2024
RADICAL RHYTHMS
Computer Music

RADICAL RHYTHMS

From pepping up basic grooves to creating full-on 4/4-flouting madness, learn a multitude of timing tricks with our classic guide

time-read
5 mins  |
May 2024
SEDIBUS
Computer Music

SEDIBUS

Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer. With a studio shorthand and a shared passion for flourishing ambient textures, the pair's second record SETI gazes skyward for its inspiration. We spoke to Andy to learn more...

time-read
10 mins  |
May 2024
Sidechain compression
Computer Music

Sidechain compression

Sidechain compression is an excellent mixing tool and in this tutorial we pick apart this essential process

time-read
4 mins  |
May 2024
How to make a rave-style techno track
Computer Music

How to make a rave-style techno track

Prepare to get fists in the air as we learn the tools, tricks and tempos for nailing the basics of rave-ready techno

time-read
4 mins  |
May 2024
Make a filter kick bass with BazilleCM
Computer Music

Make a filter kick bass with BazilleCM

Following our deep-dive into the oscillator section of BazilleCM, we follow the signal flow to create a filter-thumping bass sound

time-read
5 mins  |
May 2024
MARIA W HORN
Computer Music

MARIA W HORN

An avid explorer of sound's spectral properties, Maria W Horn's work realises the potential of long-forgotten spaces. Via instrumental textures, room responses, the human voice and a specialised computer language, she synthesises entirely new sonics. We heard more about her processes and the at-times chilling story behind her affecting new album, Panoptikon

time-read
9 mins  |
May 2024
THE ULTIMATE GUIDE TO CREATIVE REVERB
Computer Music

THE ULTIMATE GUIDE TO CREATIVE REVERB

Reverb has been relied on for its evocative sonic character ever since the first homo sapien warbled expletives into a dark cave. The transformative power of space is still a vital mix ingredient

time-read
5 mins  |
May 2024