NORTHEAST
Two apparently similar incidents took place in two corners of India in a span of two days. Just one made big news. A woman from a Northeast state was spat at by a man in Mumbai in what was apparently a racist act. He allegedly called her “corona” in reference to her Mongoloid features. It can be safely presumed that he read into her looks a connection to China, where the global pandemic currently ravaging the world originated. The incident was widely reported, Maharashtra minister Aaditya Thackeray said such acts will not be tolerated, the police registered a case and the National Commission for Women began its own investigation.
هذه القصة مأخوذة من طبعة April 20, 2020 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة April 20, 2020 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
The Propaganda Files
A recent spate of Hindi films distorts facts and creates imaginary villains. Century-old propaganda cinema has always relied on this tactic
Will Hindutva Survive After 2024?
The idealogy of Hindutva faces a challenge in staying relevant
A Terrific Tragicomedy
Paul Murray's The Bee Sting is a tender and extravagant sketch of apocalypse
Trapped in a Template
In the upcoming election, more than the Congress, the future of the Gandhi family is at stake
IDEOLOGY
Public opinion will never be devoid of ideology: but we shall destroy ourselves without philosophical courage
The Many Kerala Stories
How Kerala responded to the propaganda film The Kerala Story
Movies and a Mirage
Previously portrayed as a peaceful paradise, post-1990s Kashmir in Bollywood has become politicised
Lights, Cinema, Politics
FOR eight months before the 1983 state elections in undivided Andhra Pradesh, a modified green Chevrolet van would travel non-stop, except for the occasional pit stops and food breaks, across the state.
Cut, Copy, Paste
Representation of Muslim characters in Indian cinema has been limited—they are either terrorists or glorified individuals who have no substance other than fixed ideas of patriotism
The Spectre of Eisenstein
Cinema’s real potency to harness the power of enchantment might want to militate against its use as a servile, conformist propaganda vehicle
