AT THE FIRST REHEARSAL for what will be the first play to open on Broadway since the start of the pandemic, the team members of Pass Over are gathered in a midtown dance studio psyching themselves up. Director Danya Taymor kicks things off with a speech: It’s been three years since the Off-Broadway run, and many of them are returning from that production. They’ve always done the play in the summer, she points out, and always during the NBA Finals. “So we’re right in the pocket,” she says. “This project always attracts what it needs and always gives us just enough time to do it.”
“Oh, does it!” interjects Antoinette Chinonye Nwandu, Pass Over’s playwright and producer, looking up from her Sweetgreen salad. There’s laughter. They have a whole lot to do this time around. After all, Nwandu is changing the play’s ending.
هذه القصة مأخوذة من طبعة August 2 - 15, 2021 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة August 2 - 15, 2021 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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