يحاول ذهب - حر
America Needs Talent
November 2017
|Vanity Fair
A look at the most popular show on television— America’s Got Talent—explains why the U.S. needs its immigrants. Most often, they’re doing this country a favor
-
The most popular show on television in the United States right now is America’s Got Talent. If you’ve never seen it (which is hard to imagine), it’s a talent show and talent competition, essentially the same as Major Bowes’ Amateur Hour, a popular show in the early days of television and the program that gave us the useful phrase “amateur hour”—applied as a metaphor for incompetence, although this is nearly the opposite of what the word “amateur,” which simply connotes a love of some activity, originally meant. It is now directed sarcastically at almost anything people do.
The winner each year on A.G.T., as it’s called, gets $1 million and a stint headlining at one of the Las Vegas casinos. But the publicity value of being a winner on A.G.T. is worth at least the same sort of number. By now, even appearing on A.G.T. is a surefire career starter. And I don’t want to pile a lot of sermonizing on top of this innocent cultural icon. It is less than harmless. If you haven’t seen it, or any of its spin-offs, you’ll find it somewhere on the spectrum between riveting and boring, depending on your taste, but above all harmless.
To do well on A.G.T., it helps to have some conventional talent, such as being a great singer or dancer. But the winner tends to have some special backstory, such as extreme youth (being a three-year-old magician would be good) or overcoming a handicap (like a blind hip-hop artist). The talent on display may indeed be inspiring, but the inspiration contains a large dose of admiration for the courage and grit of the performer rather than for the talent itself. A woman in her 20s who sings like Barbra Streisand at her peak will lose out to, oh, a woman in her 90s who can still belt them out, sort of. This speaks well of America. Despite its title, what the show demonstrates is that there are more important things than talent.
هذه القصة من طبعة November 2017 من Vanity Fair.
اشترك في Magzter GOLD للوصول إلى آلاف القصص المتميزة المنسقة، وأكثر من 9000 مجلة وصحيفة.
هل أنت مشترك بالفعل؟ تسجيل الدخول
المزيد من القصص من Vanity Fair
Vanity Fair US
BROKEN ARTED
Barbara Guggenheim and Abigail Asher were, until recently, grandes dames of the art market, outfitting the most powerful people in the world with killer portfolios. Then, in a flurry of mutual allegations ranging from sexual favors to fraud, the two women parted ways. As their battle heads to court
19 mins
November 2025
Vanity Fair US
THE LAST STAND
Richard Prince has shocked the cultural establishment again and again with norm-breaking—some say lawbreaking—conceptual artworks. But since the pandemic, he's been holed up in his Hamptons home, rarely making appearances. In an unprecedented interview late in his career, he spills to NATE FREEMAN about the surprising new series he calls Folk Songs and his six-hour film, Deposition. And for the first time, he discusses what will happen to his estate after he's gone
29 mins
November 2025
Vanity Fair US
Captain America?
NYC's mayoral candidate has Kennedy-like charisma, a global profile, and nepo baby instincts.
36 mins
November 2025
Vanity Fair US
Brat's Next Act
Just married. Pivoting to film in magnificent fashion. After a seemingly endless summer of brat, Charli xcx talks to ANNA PEELE about her new season of stardom
20 mins
November 2025
Vanity Fair US
LARRY GAGOSIAN
The world's grandest art dealer and new owner of Book Hampton, the celebrated tome slinger to East End Brahmins — on summering in Capri, wading in warm St. Barts waters, his custom-made pool cue, and sitting for David Hockney
1 mins
November 2025
Vanity Fair US
He Got His MTV
TOM FRESTON helped birth MTV and reinvent television. In an excerpt from his new memoir, Unplugged: Adventures from MTV to Timbuktu, he recalls the campaign that saved the network
5 mins
November 2025
Vanity Fair US
THE ARTIST IS PRESENT
As ICE continues mass detainments and deportations, artist Isabelle Brourman has spent months inside the New York City federal immigration court. She spoke with KEZIAH WEIR about the scenes of brutality and emotional strength she's documented, in rooms where cameras aren't allowed
6 mins
November 2025
Vanity Fair US
From Bust to Bust
Andrew Ross Sorkin tells NATALIE KORACH his new book on 1929 works as a parable for today—down to the characters
5 mins
November 2025
Vanity Fair US
Realm of the Coin
In a financial system upended by cryptocurrencies and meme stocks, where value is detached from utility and the loudest voice gets richest, ZOË BERNARD tours a brave new world in Bel Air that is part Bravolebrity, part Wolf of Wall Street, and all casino
13 mins
November 2025
Vanity Fair US
MUSE AND MAKER
The painter Kate Capshaw, known for her intimate likenesses, could hardly say no when the National Portrait Gallery commissioned one of Steven Spielberg, her husband of more than 30 years
2 mins
November 2025
Translate
Change font size
