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Eye Candy: The Best Visual Effects From The Last Year

Awards Playbook Dec. 2016

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The Hollywood Reporter

The VFX teams on these 20 films created monsters, giants and aliens — and gave filmgoers several white-knuckle moments in 2016.

- Carolyn Giardina

Eye Candy: The Best Visual Effects From The Last Year

Comic book heroes (and villains) dominated the VFX shortlist announced by the Academy on Dec. 2 in the guise of the films Doctor Strange, Batman v. Superman: Dawn of Justice, Suicide Squad, Captain America: Civil War and X-Men: Apocalypse. Also making the list were such visually dazzling films as The Jungle Book and Rogue One: A Star Wars Story and the sci-fi pics Arrival, Passengers and Star Trek Beyond. Even Kubo and the Two Strings made it through — a rare animated film to make the shortlist.

ALICE THROUGH THE LOOKING GLASS 

Disney 

Based on Lewis Carroll’s characters and directed by James Bobin, this film involved more than 2,100 VFX shots covering the “design and creation of even more new and unseen worlds, where we had to walk that fine line between impressionistic fantasy and photo reality,” says VFX supervisor Jay Redd.

ARRIVAL 

Paramount 

To create an unexpected look for Denis Villeneuve’s sci-fi film, VFX supervisor Louis Morin designed a CG spaceship that was as sleek as a polished stone. “The Montana base camp was extended virtually and populated by a CG battalion,” says Morin. “CG aliens were created to have whale-looking skin, no anthropomorphic features, seven legs and to float and interact with their misty environment and communicate using liquid shapes.”

BATMAN V. SUPERMAN: DAWN OF JUSTICE 

Warner Bros.

The VFX work included the final battle in which Batman, Superman and Wonder Woman team up to defeat Doomsday, a fully CG character. To ground the film in reality, the team combined practical stunts, sets and filmed locations with the visual effects, including a 3D version of Gotham City. To create Doomsday, the 3D model included exposed muscles, tendons and bones.

المزيد من القصص من The Hollywood Reporter

The Hollywood Reporter

The Hollywood Reporter

Michael Ovitz, Me And The Truce That Never Was

As a new book puts the focus back on CAA’s origins, Kim Masters recalls how the agent’s fit at The Palm and her follow-up kicked off one of Hollywood’s prickliest pas de deux.

time to read

12 mins

September 2-9, 2016 Double Issue

The Hollywood Reporter

The Hollywood Reporter

Songs Of Innocence And Experience

How 5 writers found the music to convey their films’ tragedy, injustice, patriotism and loveA Wonderful Example of ‘What the World Loves About America’

time to read

3 mins

Awards Playbook Special 2 - Nov. 2016

The Hollywood Reporter

The Hollywood Reporter

Execs Can Boycott The Press Tour — But Not The Pressing Questions

With top programmers passing on January’s TV Critics Association panels, THR poses (and answers) the five toughest quandaries of the unfolding season

time to read

4 mins

December 16, 2016

The Hollywood Reporter

The Hollywood Reporter

Making Of Kubo And The Two Strings

Old-fashioned stop-motion meets new-fashioned 3D printing in this directorial debut by the head of Portland, Ore.-based Laika studios — and THR was on the set.

time to read

5 mins

Awards Playbook Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

A World Of Pioneering Talents

Along with best picture contender Elle these 13 films may have the momentum to make the Oscar shortlist (still to be announced as this issue went to press)

time to read

6 mins

Essential Awards Playbook, Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

Iain Canning & Emile Sherman

The Brit-Aussie team behind Lion talk winning an Oscar for The King’s Speech, working with Harvey Weinstein and the upcoming biblical epic Mary Magdalene

time to read

6 mins

December 9, 2016

The Hollywood Reporter

Producer Of The Year Charles Roven

He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office.

time to read

10 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

The Hollywood Reporter

No Happy Endings Required

The death of satire, when to kill a scene and how to write a Trump movie (‘Let’s hope it’s not a tragedy’).

time to read

17 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

Matt Tolmach

The Sony exec turned Rough Night producer on Hollywood’s dilemma: ‘Audiences want what feels familiar, but they don’t want it to be familiar’

time to read

5 mins

May 31, 2017

The Hollywood Reporter

In Defense Of Good O1' Network TV

With his NBC breakout now broadcast’s best shot at cracking the Emmy drama category long dominated by cable and streamers, the This Is Us creator celebrates entertainment’s last wide net

time to read

3 mins

May 31, 2017

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