SATISH GUJRAL
AD Architectural Digest India|January - February 2022
THE LATE PAINTER AND SCULPTOR WAS ALSO AN ARCHITECT GIFTED WITH AN IMAGINATION THAT MANIFESTED ITSELF IN ARCHES, COURTYARDS, AND ROOMS THAT RANGED FROM THE GRANDIOSE TO THE INTIMATE, ALL LAID OUT IN A SACRED GEOMETRY. TODAY IT MAKES THE CURRENT RESIDENCE OF THE PORTUGUESE AMBASSADOR TO INDIA,CARLOS PEREIRA MARQUES AND HIS WIFE SUSANA
SATISH GUJRAL

The New Delhi home of Carlos Pereira Marques, the Portuguese ambassador to India, was designed by the late artist-architect Satish Gujral. This space serves as a connection between the lounge and a small sitting room. The walls of the lounge retain their original raw-brick appearance, contrasted by the greenery of the inner courtyard, which is seen through the large arched window. The window above opens to one of two symmetrical suites on the first floor. The vase lamp is antique Murano glass. Portuguese and Persian carpets add a touch of colour to the room.

The armchairs, bench, and ottoman in the lounge are upholstered in a paisley-jacquard fabric from Sarita Handa. The painting in the centre is a 2017 work by Portuguese contemporary artist Pedro Calapez; above the doors on either side are two 18th-century golden altarpieces from Goa. On the left are an 18th-century religious painting on glass from Portugal, an Aubusson tapestry that dates back to the 16th or 17th century, and a 16th-century Martaban pot. On the right are Kaftan, a frog sculpture by Portuguese contemporary artist Joana Vasconcelos and a 19th-century miniature of an Udaipur maharaja. The coffee table runner is by Japanese textile designer Chiaki Maki.

The entrance lobby—all the walls on the ground floor are in brick, and all the floors in the house are in Jaisalmer stone. The pashmina shawl hung on the upper landing is a 19th-century piece from Kashmir; the cloth hanging below, which depicts the Portuguese coat of arms, was made in India; the Caucasian Shirvan runner is also 19th century.

هذه القصة مأخوذة من طبعة January - February 2022 من AD Architectural Digest India.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة January - February 2022 من AD Architectural Digest India.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.

المزيد من القصص من AD ARCHITECTURAL DIGEST INDIA مشاهدة الكل
MAY/JUNE DISCOVERIES
AD Architectural Digest India

MAY/JUNE DISCOVERIES

Reuse, repurpose, restore: Here is our dispatch from the world of design and architecture with a spotlight on sustainability. Danish brand Mater taps Patricia Urquiola to craft a line of sleek furniture from waste material. Bottega Veneta's Matthieu Blazy finds inspiration in a classic Le Corbusier design. Mumbai's 165-yearold Afghan Church gets restored to its original glory. Enjoy this summer issue.

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5 mins  |
May - June 2024
50 YEARS OF MAHENDRA DOSHI
AD Architectural Digest India

50 YEARS OF MAHENDRA DOSHI

As a child I remember accompanying my parents on their collecting trips. Going to museums, art galleries and furniture warehouses is what we did on Sunday mornings in the 1980s in Bombay. There were no malls and my parents felt guilty leaving us home. We were welcomed into these treasure troves of art and design with equal élan by their humble owners, who were always there on the shop floor. Holiday or not. And that is how one spring morning, I met the doyen of period furniture, Mahendra Doshi. We would spend hours with him in his dusty cavern-like basement, nestled against the Arabian Sea with a view of the entire Queen's Necklace. I remember seeing stars in my father's eyes. He did that when he saw things he liked. My parents may or may not have picked up a piece, but I always took back a story. For amidst those dusty alleys of piled up \"junk\" and heaps of old furniture lay stories of history, homes and heritage. Stories we were regaled with by the gentle giant. He was simply Mahendra bhai to my parents and Mahendra uncle to me.

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3 mins  |
May - June 2024
The Historian
AD Architectural Digest India

The Historian

For this summer issue, we admire the quintessential \"cooling\" jali-one of India's great contributions to global architecture and look at a lesser known but magnificent piece from the extraordinary madrasa of Ghaziuddin Khan from the Mughal era.

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2 mins  |
May - June 2024
TERRA PAVILION
AD Architectural Digest India

TERRA PAVILION

IS A STARK STRUCTURE OF EXPOSED CONCRETE AND GLASS, BUILT AS A SUSTAINABLE, RESTFUL SANCTUARY IN A WINDING FORESTED EXPANSE OUTSIDE OF AHMEDABAD, DESIGNED BY KHUSH NU PANTHAKI HOOF AND SÖNKE HOOF OF STUDIO SANGATH.

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3 mins  |
May - June 2024
PALINDA KANNANGARA'S
AD Architectural Digest India

PALINDA KANNANGARA'S

FIRST RESIDENTIAL PROJECT IN INDIA IS A HOME IN BENGALURU DESIGNED WITH HIS SIGNATURE

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3 mins  |
May - June 2024
SAMRAKSHAN INDIA
AD Architectural Digest India

SAMRAKSHAN INDIA

Architect Ajith Andagere often quotes Mexican poet Octavio Paz: \"To be truly modern, we must first reconcile ourselves with our traditions.\"That central thought is the crux of Andagere's mission. In 2017, he set up Samrakshan India-a not-for-profit focused on documenting India's vernacular architecture, considering the inherent wisdom in vernacular typologies and making them relevant to our modern lives. \"Documentation, conservation, adaptive reuse, and education\"-that's the role that this architect has taken on. AD visits Andagere's studio on the outskirts of Bengaluru as well Shurpali HouseSamrakshan India's first restoration project-a 150-year-old ancestral home close to the Krishna River, in the Bagalkot district of Karnataka, a nine-hour drive from his studio. Andagere took it on, along with his team of architects and craftsmen, and today what we see, post-restoration, is someone's ancestral family home given a new life.

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3 mins  |
May - June 2024
Condé Nast Traveller THE LAST WORD IN TRAVEL
AD Architectural Digest India

Condé Nast Traveller THE LAST WORD IN TRAVEL

In the shadow of the historic Vijayanagara empire, HAMPI ART LABS is a new arts programme brought to life by the JS W Foundation. Designed by A D 100 firm SP+a, it takes design inspiration from the ruins and landscape of Hampi, situated 35 kilometres away. An exhibition centre along with residences for artists, creative studios devoted to various art forms like printmaking and ceramics, a quiet yet communal space for artists to create and explore, Hampi Art Labs is a sanctuary as well as a pivotal step forward for the growing community of art in India. A patron with all her heart in it, Sangita Jindal, Foundation, summarizes her intent: chairperson, JS W had been to Hampi 31 years ago and fell in love with it then. Ever since I have wanted to do something here. And my other lifelong love is art. So I thought, why not bring the two together contribution This is my ongoing to the sea of artistic talent in our country.\"

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3 mins  |
May - June 2024
WHEN WAS MODERNISM?
AD Architectural Digest India

WHEN WAS MODERNISM?

WITH A TITLE REFERENCING A BOOK BY HISTORIAN HOME IN GEETA KAPUR, THIS MODERNIST AHMEDABAD, BUILT IN THE 1 9 7 0 S AND RESTORED RECENTLY BY AD 1 0 0 ARCHITECT KUNAL SHAH IS A REMINDER OF A CLASSIC DOMESTIC ARCHITECTURE THAT AN ENTIRE IN A GENERATION OF INDIANS GREW UP MODERNISM THAT IS TIMELESS, THAT WE ADAPTED TO SUIT OUR CULTURE, CLIMATE, MATERIALS AND OUR DOMESTIC RITUALS. THIS IS FOUZDAR, A GRANDFATHER'S HOME.

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4 mins  |
May - June 2024
The Curator
AD Architectural Digest India

The Curator

AD’s Art issue would be incomplete without an essay on Peggy Guggenheim, the philanthropist and visionary who was collecting through the war years, and whose home-turned-museum in Venice has one of the most important holdings of modern art in the world.

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2 mins  |
January - February 2024
Raw  Mango Agama
AD Architectural Digest India

Raw  Mango Agama

TEXTILES HAVE BEEN INTEGRAL TO THE STORYTELLING AT AD IN PRINT. IN A NATURAL STEP AHEAD, FOR THE FIRST TIME EVER, THE AD DESIGN SHOW THIS YEAR OPENED WITH A GARMENT PRESENTATION. THE MOOD, THE MUSIC, THE PEOPLE, THE TEXTILES EVERYTHING WAS MAGIC.

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7 mins  |
January - February 2024