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Metal Clay Artist - Winter 2011

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Metal Clay Artist

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In this issue:-

Design Challenge
Readers Challenge
Book Reviews by Pat Evans-
Metal Mania Metal Clay Basics!
Brass, Bronze and Copper Metal Clay Techniques by Geneva Perkins and Carl Spunde
Woodland Chic: Metal Clay as Nature Intended by Patrik Kusek
Designing from the Stone: Design Techniques for Bezel Setting in Metal Clay using the Stone as Inspiration by Lisa Barth
Studio Business, Creative Sparks - and Embers by Linda Stiles Smith
The Vocabulary of Chains by Linda Kaye-Moses
Mixing Metal and Glass by Jackie Truty
Clay Convergence, Winged Heart Pendant by Lisa Pavelka
How to Get Your Project Published by MCAM\'s Editors
Artist Profile, Kathleen Nowak Tucci by Julia Rai
Tool Talk by Pat Evans -
Dockyard Sharpening Strop Kit
Imagepac Stampmaker Kit
ArtWay Tools Gear Shape Frame Sets
Gallery of Work
Basic Set Ups, Metal Clay, LOS Patina, Keum-Boo, Polymer
Studio Insights - The Importance of Perspective by Michael David Sturlin
How To Projects:-
Silver Clay Embellishments on Lampworked Glass Beads by Ann Davis
Molded Glass Clay Cabochons by Paula Radke
One Hinged Bracelet, Two Choices of Materials Part 1 by Jeannette Froese LeBlanc
Riveted Sustome Silver Bead Caps for Glass Beads by Bob Miller
Copper Bezel Setting for a Freeform Cabochon by Wanaree Tanner

Metal Clay Artist Description:

Metal Clay Artist Magazine is the first and only print magazine in the world devoted entirely to the metal clay arts. It is created by metal clay artists for metal clay artists, and is designed to serve artists at all levels of experience, from beginner to very advanced.

The magazine features a wide range of metal clay-related content, including step-by-step projects, articles, how to's, guides, tips, techniques, artist profiles, and other valuable information about PMC(R), Art Clay(TM) Silver, bronze clay, copper clay, and mixed media (including polymer clay and glass). Our publication has an international focus, with content, subscribers and advertisers from around the world.

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