Juxtapoz is excited to share our newest Quarterly edition, Spring 2020 Issue #213, with a look at some of our favorite painters working today. We feature Ana Benaroya on our cover, fresh off her solo show in Los Angeles this February, as well as in-depth conversations with two major painters, Eddie Martinez and Loie Hollowell. We catch up with Vhils and Judy Chicago, as they both, respectively, open museum shows across the USA. Also in the Spring 2020 issue our conversations with Jenny Morgan, Marcus Brutus, Esiri Erheriene-Essi, Dawoud Bey, Jeremy Fish, Ben Spiers, Maja Djordjevic, Emilio Santoyo, Amanda Mounser and we took an art vacation to Vienna!

After spending 2019 celebrating 25 years as a print publication, Juxtapoz is proud to kick off another 25 with perhaps one of the most influential artists in a generation, JR. The French artist is so much more than a photographer; he is a philanthropist, activist, filmmaker, community organizer, teacher and in some ways, one of the original voices of the street art generation. After Academy Award nominated films and museum retrospectives around the world, we visited JR during the install of his exhibition at the Brooklyn Museum to see what motivates one of the most energetic and prolific artists we know. Also in the Winter 2020 issue, we interview Prudence Flint, Danny Fox, Rebecca Ness, Borondo, Diedrick Brackens, Dominque Fung, Masako Miki, Adam Sorensen, Baldur Helgason, Lilian Martinez, Summer Wheat, Michael Jang and review the wonderful "Soul of a Nation" exhibition.

Juxtapoz Magazine is proud to close out its 25th year with one of our most wide-ranging issues we have ever published! For issue Fall 2019, issue 211, we are excited to showcase a cover story on Baltimore-born, Brooklyn-based fine artist, Derrick Adams. The Fall 2019 issue feels like an ideal companion to this overarching camaraderie and authenticity. To have our founder, Robert Williams, featured for his newest works and show, alongside Derrick Adams, who has emerged over the past five years as one of the most exciting painters of his generation, is a perfect example. That Naudline Pierre and Alicia McCarthy are pages away from each other, Anna Park and Tomoo Gokita as well—it's not a passing of the baton, but finding ways to build a kinship between the generations, no matter where they are in their respective careers. That is what we have been striving for since 1994, and in the Fall of 2019, we savor the momentum. 

In Fall 2019: 
Features on Derrick Adams, Robert Williams, Alicia McCarthy, Naudline Pierre, Anna Park, Tim Biskup, Michael Kagan, Tomoo Gokita, Heather Benjamin

Spotlights on George Clinton and Fluevog, Kensuke Koike, Dave Shuten, Kendra Yee, Ruohan Wang, RVCA World Tour, Pedro Pedro, Mike Shine's Berlin travels, Gil Bruvel, Sarah Cain, and the art history of Mickey Mouse at the Disney Family Museum

Juxtapoz is pleased to announce our Summer 2019 Quarterly edition, featuring cover art by one of the most talked about painters in the world today, Robin F Williams. The NYC-based painter has captured an original artistic voice in recent years, both figurative and at times absurd, classic and yet truly visionary. When we talk to her contemporaries, Robin's name is almost first on their list of painters who demands attention. Ahead of her solo show at Various Small Fires in Los Angeles in Fall 2019, Megan N Liberty sat down with the artist in her Brooklyn studio to talk about faces, how women are depicted in classic American advertising and how a painting is built.

Also in Summer 2019:
Features on Danielle Orchard, Paul Insect, Don Ed Hardy, Ellen Berkenblit, Tschabalala Self, Mario Ayala and Joe Roberts aka LSD World Peace

Spotlights on Jean Jullien, Jessica Campbell at MCA Chicago, Rewina Beshue, LA Roxx, Hilda Palafox, Alex Chinneck, Boston's art scene, Parsons School of Design, Nuart Aberdeen and recap Phlegm's incredible work in Sheffield, England.

As we continue to celebrate our 25th anniversary, Spring 2019 saw us looking over the pond to the "Felt Cave" to create a special cover with installation artist, painter and almost-performance artist, Lucy Sparrow. With her interactive and immersive life-sized installations, all made of felt, Sparrow has not only captivated audiences with the sheer mass and detail of what she produces for her exhibitions, but she has also created the "wow" factor and question of "what is this? What is it telling me? What is art? What is commerce?" After a photo session with Juxtapoz contributor, Ian Cox, Sparrow re-created her photo shoot as a massive Juxtapoz cover created out of felt, the final result you see on the cover of Spring 2019.

Also in the Spring 2019 issue:

—We get a one-on-one with one of the greatest living painter, Neo Rauch
—On the eve of her solo show with Anton Kern, we talk surrealism with Julie Curtiss
—Emily Mae Smith has been all over the world, and we find out what makes her tick
—Antony Micallef tells us the backstory on his thick, engrossing portraits
—After finding success in Tokyo, Spanish artist Javier Calleja illuminates on his process
—We watch Maxwell McMaster paint the sky
—One of contemporary art's rising stars, Vaughn Spann, talks about the balance of abstraction and figurative painting
—Miranda Barnes takes us on a photo shoot through America
—Studio Arhoj takes us through their Danish ceramic studio
—Jazoo Yang changes our perception of Korean street art and politics... 
... —and Kate Klingbeil opens at her Juxtapoz Projects studio at Mana Contemporary...

Over the past 25 years, we at Juxtapoz have seen our scope grow from the underground scenes of pop surrealism, graffiti, comics, and collectibles become a worldwide phenomenon. As the Winter 2019 issue sees us celebrate a quarter century of one of the leading independent publications in the world, we thought none other than NYC-based artist KAWS would best represent the evolution of Juxtapoz and the art world since 1994. Just in time for his newest solo show, GONE, now on view at Skarstedt Gallery in NYC, we sat down with KAWS in both Tokyo and Brooklyn over the course of 2018, as he prepped not only a new solo show but massive public art projects around the world as well as an assortment of fashion and toy collaborations. 

Also in the Winter 2019 issue: 
—Inside the poetic work and career of Swoon
—The evolution of REVOK, in his own words
—An extensive conversation with curator Donna De Salvo, on Andy Warhol's new retrospective at the Whitney Museum 
—Louise Bonnet on beauties and beasts
—Tokyo's Haroshi on how skateboarding became his building block in life
—James Jarvis goes back to the absolute basics
—Muzae Sesay and the ever-changing landscape of Bay Area art
—Pat Perry and 21st Century Midwest American painting
—Wandering the streets of Northern California with Bill Owens
—Drama in the details with Sofie Ramos
—A special on Axel Void's incredible artist-in-residence program... 

... a Rodarte continues to change the world of fashion, one stitch at a time... 

The Fall season always means the gallery world is getting back into full swing, with major highlighted shows opening in September and October. We are excited to announce our Fall 2018 issue with a cover story on Brooklyn-based, Vermont-born painter, Grace Weaver, as she opens a major solo show, BEST LIFE, at James Cohan in NYC. We sat down with Weaver at her Brooklyn studio over the course of a few sessions leading up to the show, learning about her process and ability to tell complex daily life stories within her large-format paintings. It was our chance to see the progress of what we think is going to be an illustrious and exciting career for an emerging artist. 

Also in the Fall 2018 issue:

We feature long format interviews with Todd Schorr, Mark Thomas Gibson, Cheyenne Julien, Super Future Kid, Martin Gordopelota, Edie Fake and look at the upcoming Auto-Didactic: The Juxtapoz School exhibition at the Peterson Automotive Museum in Los Angeles. 

PLUS, we talk with Ruth Asawa's daughters about their mothers legacy, JR tells us about his latest projects, follow the photography works of Carolyn Drake, look at the fresh T&C Surf works of Steve Nazar, amaze on Sebas Velasco's painterly murals, get the inside scoop on Zered Bassett's Paper Skaters and spend 9 days in Tokyo with Russ Pope.

When one of the biggest and legendary names in graffiti and street art is about to open a new exhibition, we are all ears. Well, its come to the point now that when Brazilian twins OSGEMEOS are set to open something new, the world takes notice, from high culture to low, street culture to blue chip culture. Hence was the buzz when they opened their latest show during Art Basel Hong Kong at Lehmann Maupin this past Spring. The buzz was widespread. This is where we sat down with the already 2x cover artists for their most recent foray onto the cover of Juxtapoz. 

We are excited to announce our Summer 2018 Issue with cover artists, OSGEMEOS, featuring an extensive interview documenting their early roots in São Paulo, their newest gallery works, and intimate stories of all the friends they have made along the way.

Also in Summer 2018

Longform interviews with Oli Epp, Lamar Peterson, KOAK, Jeffrey Cheung, Monica Kim Garza, Serena Cole and an essay on the greatness of Magritte.

And, we dig deep with Know Hope, Jasper Johns, Alina Tsvor, A Savage of Parquet Courts, Rammellzee, Fulton Washington, and more!

Juxtapoz Magazine is excited to announce the Spring 2018 issue, featuring Parisian painter, Inès Longevial, on the cover. For the cover itself, we captured Longevial in her Paris studio in front of her beautiful and serene portrait works, paintings that caught our attention not only on her Instagram account but after her standout solo show at HVW8 Gallery in Los Angeles. On the occasion of her cover story for the Spring 2018 issue, editor Evan Pricco talks to her about developing a classic portrait style in the 21st Century, a love of oil paint and her upcoming show at Galerie M in Toulouse, France.

Also in the Spring 2018 issue:
—James Jean gives a sneak peek into his studio before his upcoming solo show at Kaikai Kiki Gallery, Tokyo
—Theresa Chromati talks paintings, designs, illustration, glitter and more
—Max Hollein of the Legion of Honor gives us the lowdown on history and influence of art world star, Julian Schnabel
—In his first interview in 6 years, influential street artist Escif is still absurd, funny and genius
—Jillian Evelyn has arrived, in painting and ceramics
—From murals to collage, Franco "JAZ" Fasoli is at the top of his game...
—We go painting in the air with Rebecca Louise Law
—Mike Shine goes muraling and moonshining in Asheville, North Carolina
—Pejac opens up about silhouettes and subtlety
—We get an in-depth look behind Mike Kelley's Kandors projects... 
—Aza Ziegler tells us about her new clothing line, Calle Del Mar ... 
... and Serge Lowrider gives us all a lession in Swiss perfection...

Juxtapoz has gone back to its original roots. Yes, we are excited to announce that our first issue of 2018 is also our return to a quarterly format, only this time, we have more pages, bigger size, better paper and more artist features than we have ever had. We kick off Winter 2018 with a special cover story on one of America's most important living painters, Kerry James Marshall, as his career has been recently showcased in a major retrospective, Mastry, that has toured the United States. We get an intimate, candid conversation with KJM about his life in painting, development of his style, and what an artist does now after getting a major retrospective. 

Also featured in Winter 2018
—Interviews with Anja Salonen, Daniel Rich, Luke Pelletier, Smithe and Kip Omolade
—A look back at the illustrious career of Gustav Klimt
—An in-depth, special dedication to our late founder, Greg Escalante, with comments from the artists in his life
—Cheryl Dunn on her life in street photography
—We get inside the studio of the grotesque visionary, Sarah Sitkin
—Kerin Rose Gold takes inside her creative process with her new eyewear collection
—Martyn Reed writes about the historical importance of Stencil Art
—Mike Lee shows his floating dancers to us in Tokyo
—Juxtapoz takes a city tour of Mexico City . . . 
— Plus we review the opening of Urban Nation in Berlin ... 

... and we take a look at the legacy of the legendary London print house, Picture on Walls

We can all admit, 2017 was a bit tumultuous no matter where you lived in the world. For the December 2017 issue, we went with a reflective pose, a piece of paradise in the distance vibe. Jules de Balincourt is the artist behind the December 2017 cover of Juxtapoz, and the NYC painter has been mastering the lush, adventure style paintings, transforming the rural and urban into a dreamlike setting. Sitting down with fellow NYC artist, Marcel Dzama, de Balincourt discusses community, Vincent Price and the surfing in Costa Rica. 

Also in the December 2017 issue:
—Amir H Fallah on the art of intervention
—Genieve Figgis on play
—A look back on the influential and illustrious career of Robert Rauschenberg   
—APEXER on being a San Francisco staple
—Sainer of Etam Cru finds the road to harmony
—We follow John Wentz on his journey around NYC
—Eddie Martinez gets the institutional credit at Wellesley College
—Maria Svarbova finds the perfect color and balance in her photography
—Ezra Koenig of Vampire Weekend on his Netflix show, "Neo Yokio" 
—The MoMA asks the question, "Is Fashion Modern?"...

—... and Robert Williams pens a tribute to his late friend, Juxtapoz co-founder, Greg Escalante

To be 32 years-old and about to have your first solo museum show, at the Whitney Museum in NYC no less, is a major deal. We are so excited to have Toyin Ojih Odutola on the cover of our November 2017 issue, as she has been one of our favorite artists of recent years and wanted to celebrate her museum show, To Wander Determined, in proper fashion. Coinciding with her interview, we feature 3 new paintings of her work that will be on view at the Whitney starting on October 20, 2017. 

Also in the November 2017:

—We sit down with Trent Reznor of Nine Inch Nails to discuss a life of art within his music
—Christian Rex van Minnen exposes his inner-self and a stunning series of new works
—Matthew Palladino gives us a review of his reliefs
—Saner goes beyond the mask
—Adam Neate takes us deep into his Dimensionalism 
—Axel Void opens up about his personal works and life-affirming murals
—We visit and review two great street art festivals at opposite ends of the world: Nuart in Stavanger, Norway and The Unexpected in Fort Smith, Arkansas
—We preview and review the comprehensive Walker Evans exhibition at SFMoMA
—Ryan McGinness and Tony Hawk teamed up for a new skate park in Detroit, and we got the lowdown
—Danielle Colen of Waltz Studio shows us her new fashion line... 

.... plus, Obi Kaufmann wanders the mountains and trails of California and shows us how to make a Field Atlas. 

Some people will look at the cover of our October 2017 issue and think they have found a Halloween costume. That's fine, to each their own. We look at the October 2017 cover and see a rising star in the art world, the work of London-based Polly Nor. Polly has had an exceptional year, bookended already by her brilliant solo show in London this summer, "It's Art, Mum, Look It Up." Through drawings and now installation works, Polly is our artist-of-the-moment, making relevant, poignant and accessible messages that capture the moment we live in. 

Also in the October 2017 issue: 

—We sit down with Jimi Hendrix's sister to discuss the legacy of her brother's love of music and art
—Robert Williams tells tales of his newest paintings
—Hyuro's remarkable murals come into focus, from Spain to Oregon
—Iceland's Katrin Fridriks re-examines the act of performative painting
—Nat Meade emboldens the lonely figure
—Martyn Reed on the need for a new street art revolution
—Lucy Kim breaks the mold in her newest sculpture work
—Mike Shine takes over Austin, Texas
—Jacob Lawrence is honored at SCAD
—Miriam Klein Stahl is a radical designer
—Sergej Vutuc takes skate and street photography to unseen possibilities ... 

.... and we look at legendary authors and the clothes they wore.... 

We are doing dual celebration for the September 2017 issue of Juxtapoz Magazine: it happens to be our 200th ISSUE (!) and the issue where we preview new works by Mr Obey Giant, Shepard Fairey. Shepard and Juxtapoz have a long history together, histories that both began in the 1990s. We have been so happy to see Shepard's career blossom and grow to being one of the most important voices in contemporary art, and we are pleased to have him create the cover for our own special milestone. 

Also in the 200th issue:

—We talk to Ralph Steadman about his career as a special retrospective is set to come to America
—Josh Homme of Queens of the Stone Age and Boneface talk art, music and Villains
—We take a look at Dan Lam's otherworldly sculpture work and den of drips
—Add Fuel reinvents the Portuguese tile
—Caleb Weintraub and Sandow Birk talk painting, spanning centuries and species
—Bonethrower gives the lowdown on his new collab with adidas and making a style all his own
—Tabitha Soren goes deep into the Fantasy Life
—Norwegian master Edvard Munch comes to the Bay
—Martyn Reed talks about Street Art of yesterday and today

.... and we talk to Kozyndan about the Bunny Primitive....

As much as street art has grown to such an international phenomenon, shared and passed around our viral universe like celebrity gossip, sometimes you just need to sit and see someone like Fintan Magee in action to just really grasp how far we have come. That is why the Australian-born artist made for the perfect cover subject for the August 2017 issue; an artist changing the way we look at muralism and the way we look at social realism in the 21st Century. 

Also featured in the August 2017 issue:
—We talk about a love of cats and shapes with Morgan Blair
—Anna Valdez shows us some perfect still-life paintings
—Nathaniel Mary Quinn moves into the blue chip realm
—Beau Stanton reconstructs the past ... 
—... while Baer reimagines the psychedelic experience
—Speaking of psychedelics, we look at Pink Floyd's retrospective in London
—Mike Mandel reminds us that there were good times in the 1970s
—Yves Saint Laurent's legacy remains the radical perfection
—We take a look at a group of Young Russian Painters...
—... and we go in-depth at the bustling art scene in Las Vegas
—Jimmy Mezei designs make you dive in... 

—... and we take one last look at "What In the World: The Juxtapoz Edition" at Urban Nation in Berlin. 

Since their debut album in 2001, the Gorillaz project of Damon Albarn and Jamie Hewlett has been one of the most unique and art-driven music groups to ever form. In celebration of their new album, Humanz, Juxtapoz sat down with comic book artist and Gorillaz co-creator Hewlett for the July 2017 cover story, discussing the evolution of the characters, making visuals that connect to music, and how Gorillaz reflects the world we live in today. 

Also in the July issue:
—Invader tells us what his game is
—Tristan Eaton is all mixed up
—Amy Cutler is no frills
—Cate White counters the cultural trance of normal
—Jeroen Erosie expands upon the world of graffiti 
—Meghan McAleavy has a banner year... making epic banners. 
—Troy Holden shows his amazing street photography from San Francisco
—We tour Aberdeen, Scotland and the Nuart Festival 
—We take a look at cartoonist Saul Steinberg's retrospective
—Lucy Sparrow shows us what 9,000 pieces of felt art look like
—Skinner shares a six-pack with us...

... and Takashi Murakami eats his own leg in Chicago. 

Knowing how many significant events occurred in and around 1967, especially in San Francisco, there is something so resonant about San Francisco’s de Young Museum, residing directly in the middle of Golden Gate Park, the epicenter of the Summer of Love, to now be hosting the exhibition, The Summer of Love Experience: Art, Fashion, and Rock & Roll, through August 20, 2017. It really couldn’t be any other place. In honor of the 50th Anniversary of the Summer of Love, Juxtapoz is pleased to present a special cover story on the events of 1967, with a cover image from the infamous Stanley Mouse and Alton Kelley psychedelic poster for the Grateful Dead. 

Also in the June 2017 issue:
—We take a trip to Mark Ryden's ballet
—Daniel Arnold takes us on a street photography tour
—Shantell Martin paints the room
—Paco Pomet gives surrealism a new name
—Jason Bard Yarmosky preps a museum show in Maine
—Shiri Mordechay takes us in the insomniac's garden
—Sonnenzimmer gives us a printmaking history of Chicago 
—Kenya's Joseph Bertiers makes masterful pop paintings
—Timothy Saccenti and Christian Joy make fashion harmony
—Studio Elana Schlenker has the fresh fruit ... 

—... and At The Drive-In is Back and Making Art Sounds.... 

Sometimes a visual just makes your eyes go popping out of your noggin. And sometimes, a cover image just literally demonstrates how your eyes can go popping out of your noggin. And that is the May 2017 cover image by NYC-based Jamian Juliano-Villani. Jamian makes wonderfully surreal and other-worldly cartoon-esque paintings. Some are crude depictions of sex, some that are just plain hilarious, and others are just imaginative universes. We are hooked.

Also in the May 2017 issue:
—We appreciate the legacy of Jason Rhoades with curator, Paul Schimmel
—We have exclusive photos of Banksy's "The Walled-Off Hotel" in Bethlehem.
—Robert Williams breaks down his 3 new paintings for his show at Fort Wayne Museum of Art, Indiana.
—Ari Marcopoulos goes around NYC with the adidas team
—Spoon's Britt Daniel talks album covers and Hot Thoughts
—Adam Feibelman finds personal provenance
—Joakim Ojanen shows us his new ceramics at his residency in France
—Stuart Davis reminds us why he is one of the most influential artists of the 20th Century
—Ryan Travis Christian opens up about graphite
—We take a trip to the Pacific to check in on POW! WOW!
—Mark Mothersbaugh goes back to schooll ... .

.... and Cody Hoyt brings illustration to ceramics... and becomes one of the best in the game.

We are pleased to announce our April 2017 cover story on Brooklyn-based, Philly-born artist Timothy Curtis, aka Agua. Let's let Stephen "ESPO" Powers explain, from a few years back in Juxtapoz. . . 

“The Love letter For You movie is, in a large sense, about a guy that we know and love named Agua. He is the main inspiration and is currently incarcerated. The genesis of the film is that Agua is going to go to jail, it was only a matter of time, and I wanted to leave something out here for him to come home to.”

So here we are in 2017, and Timothy Curtis is in his artistic prime. Fresh off working with ESPO at the Brooklyn Museum on the Coney Island Is Still Dreamland (To a Seagull) exhibition, our Contributing Editor, Joey Garfield, sat down with Curtis to discuss his past, present, and future, and how to make a character come to life. 

Also in the April 2017 issue: 

—Joe Coleman on his masterworks and the making of a painting
—Kindah Khalidy plants an electric garden
—Christian Rex van Minnen shows us his watercolors
—Kim Keever shows us how to make paint float
—Daan Botlek makes street art universal
—Josh Freydkis shows us what magic is all about
—Shane Lavalette covers the South with beautiful photos
—Ruffmercy talks about his hands-on music video direction
—Lala Abaddon goes to infinity and back
—Mike Shine takes us to Nicaragua . . . . 

... and we get the lowdown on Julie Verhoeven's collection for Marc Jacobs. 

"I first got the idea for this painting after noticing these two beautiful Dobermans around my neighborhood. Their aesthetic is fierce but also incredibly graceful . . ." So says March 2017 cover artist Kristen Liu-Wong of her new painting made especially for Juxtapoz. We were in the need of some fierce but proud imagery this month, and the Los Angeles-based artist delivered with the goods. We sit down with Liu-Wong to discuss her dog, Greek mythology, and her upcoming show at Corey Helford Gallery.

Also in the March 2017:
—We get the lowdown on the legendary Yayoi Kusama's newfound popularity across the USA
—Hippie Modernism comes back home to Berkeley, California
—Troy Lovegates gives us his travel stories
—We look back at Jim Marshall's 1967
—Luke Chueh reimagines his icons
—Mel Ramos talks candy wrapper classics
—Jonh de Fazio's shows us his bongs
—Magdalena Wyrot's exquisite black and white photos get showcased... 

.... and Chance the Rapper's stage art director, OJ Hays, gives us a backstage tour... 

The times we live in... they are a'changin. And as we kick off the new year, we look to two staples of contemporary art, Marcel Dzama and Raymond Pettibon, to illustrate the new cover of Juxtapoz's February 2017 issue. Both artists, prolific drawers with a penchant for comics and pop-culture, have been collaborating in recent years at a series of exhibitions and zines with David Zwirner Gallery, creating a body of work that not only speaks to past eras, but is reflective of the changing era that we are about to embark on. 

For the cover stories, we sit down with Marcel Dzama to discuss Pettibon as a collaborator, working with the likes of Spike Jonze, Arcade Fire, and Dave Eggers, as well as the role of the artist in politics. 

In conjunction with Raymond Pettibon's retrospective coming to the New Museum in NYC in February we enlisted critic and friend Carlo McCormick to comment on Pettibon's overall importance as both prolific and influential to a generation of artists. 

Also in Feburary 2017 issue:
—Ed Emberley and the legendary children's book artists career
—Scott Albrecht putting the pieces together, coast to coast
—Robert Montgomery's street poetry
—Talita Hoffman's Sao Paulo vision
—Andrew Luck and his new move Eastward
—Murals and meals in Sacramento, California's burgeoning art city
—French Fred's unique vision of skateboarding
—Sneaker Culture comes to the Bay
—Pop Art goes to Orange County
—Post Street exemplifies the moment... 
—...and Geronimo Balloons makes us float away

Conor Harrington will say the humble thing, that he isn’t a scholar of history, but his unique fascination with the performance of diplomacy and the rituals of compromise and war have made his paintings seem uniquely of-the-moment while rendered in the tradition of figurative oil painting. This new work, titled Watch Your Palace Fall, could symbolically allude to the US, UK, Russia, ISIS, or whomever, but these characters in a ballet-like dance of combat, removing masks to reveal distorted faces in moments of theatrical posturing, captures our current historical moment better than any 24-hour news program could ever begin to describe. For his work to appear on the walls of Pace Gallery in London to the streets of São Paulo and Copenhagen further enshrines Harrington as not only an artist of reverence, but one who continues to push the envelope of what a fine artist with roots in street art can be. 

Also featured in the January issue:

—Amber Boardman paints feelings and nearly abstracted portraits of oddballs.
—Director and artist Mike Mills talks with us about his new film 20th Century Women
—Todd Schorr takes us step-by-step through his liquid universe
—Classically trained sculptor Jud Bergeron discusses integrating digital techniques into his practice
—Painter Aron Wiesenfeld captures the stillness of being alone in nature
—Retna set-designs an opera
—Akasha Rabut's photographs of New Orleans
—American Greetings at 110 years old
—3Sixteens's denim details
—Ravi Zupa on the power of storytelling
—We travel to Detroit with curator Jesse Cory
—Street Art meets American football in Miami
—Pepe's journey from the dark side

Juxtapoz ends the 2016 calendar year with an artist in the midst of a significant evolution: Amsterdam-based Parra is getting looser. And more experimental. And making more sculpture work. Long associated with a unique hybrid of both skate and design-culture mixed with humor, we sat down with the Dutchman on the eve of his new solo show, "No Work Today," and talk about his long, extended weekend that he says has been going on for years. Except, you know, he's made a brand and significant art career out of it. 

Juxtapoz kicks off the fall season focusing one some of the best shows and public art projects of 2016, including November 2016 cover artist Ugo Rondinone and his incredible "Seven Magic Mountains" project in the desert outside of Las Vegas. We also look at Danny Lyon's standout exhibition as it travels to the de Young Museum in San Francisco, as well as look at Henry Taylor's upcoming show at Blum and Poe in Los Angeles. 

Juxtapoz also explores Lucy Sparrow's Felt Cave, Alex Gardner's mysterious characters, Aaron Draplin's design universe, Nuart's call for Post Street Art, and art city guide to Minneapolis.

In the spirit of Halloween, the October 2016 issue of Juxtapoz celebrates the artist's ability to wear many influences all in one painting. We start with a cover story on influential NYC-based painter, Nicole Eisenman, fresh off a museum retrospective at the New Museum. She jumps from style to style, mastering a unique combination of comic book pop appeal with a deep, rich tradition of American painting. We also feature the great and influential Diane Arbus, travel to Santa Fe with Robert Williams, make life-sized puppets with Marnie Weber, climb 4-story buildings to paint murals with 2501, eat tacos with Jordan Bogash, and recount the masters with Adam Miller. Oh, and we travel to Gothenburg, Sweden with Ekta.

We celebrate the September 2016 issue with a special showcase of our Juxtapoz x Superflat exhibition happening in Seattle from August 4—7, 2016. Curated by Takashi Murakami and Juxtapoz editor Evan Pricco, the exhibition brings together the blue chip contemporary and emerging art worlds together in one show, and the September issue features Murakami and Pricco discussing the curation of the show and the genesis of how the project came to light. The issue features exclusive looks at new works by Murakami, James Jean, Todd James, Elisabeth Higgins O'Connor, and more. 

The September issue also features an interview with author and artist Dave Eggers, Pop Surreal Queen Camille Rose Garcia, the Nevada Museum of Art, wallpaper designers Flavor Paper, and a city guide to Seattle. 

The August 2016 issue of Juxtapoz features one of the most influential West Coast artists ever, Ed Ruscha. Interviewed in conjunction with his museum exhibition, Ed Ruscha and the Great American West, Ed talks about the pioneers of West Coast art, his life of driving, and the the influence of Duchamp. The issue also features articles on Stanley Kubrick, Guillermo del Toro, Futura, the history of hip-hop and Ralph Lauren, Zhang Xiao's photography at China's coastline, and a look at perhaps the largest Star Wars painting ever made. 

The July 2016 issue of Juxtapoz Magazine features a special cover story one of America's most up-and-coming painters, NYC-based Nina Chanel Abney. Her vibrant images of social unrest, mixed with pop-culture iconography and slang have made her one of the most exciting talents to emerge in US in the 21st Century. The issue also features coverage on Street Art in the Middle East, the art of stamp collecting, the style of classic in-flight uniforms, the history of Robert Mapplethorpe, and a look into the re-creation of NASA Graphics Standards Manual. 

Juxtapoz Magazine dedicates its June 2016 cover story to Ed Templeton, skate legend, fine artist, street photographer, and one of the most influential and iconic California artists of the last 25 years. His latest series of paintings channel the great works of David Hockey and Alex Katz, but with the unique eye and tone that captures true Souther California suburbia.  The June 2016 issue also features profiles on international superstar Daniel Arsham, Kim Jung Gi, Josh Reames, audio/visual master Kid Koala, and an art travel guide to Madrid. 

This month's cover artist, KAWS, has become one of the most collected and sought-after fine artists of the twenty-first century, but is doing so in a way where his scope has become bigger, but maintains a devoted and rabid following of young adults who still connect with his roots in street and toy culture. The May 2016 issue features artists with big aspirations and transformative perception: Tom Sachs with Satan Ceramics, Aesop Rock and his visual music, alongside the emergent works of Josh Sperling.

Spring 2020

Winter 2020

Fall 2019

Summer 2019

Spring 2019

Winter 2019

Fall 2018

Summer 2018

Spring 2018

Winter 2018

December 2017, n203

November 2017, n202

October 2017, n201

September 2017, n200

August 2017, n199

July 2017, n198

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Juxtapoz magazine presents a gallery of underground artists who influence much of the fashion, graphics, and new art we see today, and its readers are the tastemakers who discern the newest cultural trends. Full-color layouts presenting painters, street artists, sculptors, cartoonists, and photographers are featured along with interviews, rare portfolios, sketches, and reviews. Juxtapoz is the brainchild of Robert Williams, world-renowned artist and father of the widely popular school of cartoon surrealism. Target audience is teens to hip adults.

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