MONSTERS, DREAMS, AND THAT GOOD OL' MOVIE MAGIC:

THE SHORT PERSONAL HISTORY OF LEEROY NEW

- CHINO HERNANDEZ

What comes into mind when you hear the name Leeroy New? Young folks surely think of his otherworldly installation projects and wearable art pieces that have made him famous the world over. On the other hand, there is no doubt that fashion lovers quickly remember Lady Gaga, who wore New’s muscle dress in her Marry the Night cover art. It’s easy to associate the visual artist with fashion, theatrics, and costuming, especially when his Instagram feed is filled with vibrant, outlandish pieces that look like they came straight out of the mind of a storytelling genius.

On the other hand, the general public might think of the young man’s collaborative efforts with Philippine urban planners in modifying public spaces. This is mostly what New does, and he admits that being able to actually contribute to structures is his own little way of proactively changing society in a cultural level. Just recently, he could be spotted painting sea creatures along the banks of the Pasig River, as part of a beautification project by the British Council and the MMDA.

Whatever it is you might think of when recalling Leeroy New, there is one thing for certain: his resume speaks for itself. Just in his mid-30s, the artist has proven to be one of the most provocative and innovative voices in the local (and perhaps global) art scene. He is shattering misconceptions on what can and should be perceived as art, by simply producing ballsy, unapologetic pieces that have something to say. Who knew that a shy boy from General Santos City would be making such a splash? Surely, Leeroy New did.

IMAGINATION OPENS DOORS