THE ALLURE OF THE MULTIVERSE is in its wild possibilities. In theory, it gives storytellers infinite space to let their imaginations overgrow with experimentation and curiosity, to let dead ends become back doors into new vistas. Every fantasy, every whim, every fancy provides a direction in which they can spin the narrative. But as Hollywood has fallen in love with the multiverse, the limitations of a poorly structured one have become more apparent. In The Flash-directed by Andy Muschietti with a script credited to Christina Hodson-there are only dead ends. The once-infinite space is crowded with obvious brand-extension ploys that only temporarily divert from the crushing weight of our present reality and ultimately strand viewers in a story uninterested in anything resembling humanity. Despite its tangled behind-the-scenes history-directors jumping ship, the escalating legal issues of its star-the film is remarkably banal. It's a deteriorating rest stop on the road to nowhere that delivers more of the same gray Zack Snyder slop, remaining stunningly beholden to the cruel, bland worlds of Man of Steel and Justice League.
Bu hikaye New York magazine dergisinin June 19-July 2, 2023 sayısından alınmıştır.
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Bu hikaye New York magazine dergisinin June 19-July 2, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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