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TOUR de FORCE

Harper's BAZAAR - US

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February 2025

ZOE SALDAÑAhas lit up some of the mostOTHERWORLDLY sci-fi epicsof our time. But with herPERFORMANCE in the musicalEMILIA PÉREZ, she finally getsto REVEAL the very HUMANSOURCE of that POWER.

- Story by KAITLYN GREENIDGEPhotographs by LARISSA HOFMANNStyling by CARLOS NAZARIO

TOUR de FORCE

Trench coat, DOLCE & GABBANA. Tubogas necklace with a central rubellite, BULGARI. Tights, WOLFORD. Shoes, GIANVITO ROSSI. Band ring (throughout), Saldaña's own.

Zoe Saldaña is in the passenger seat of a car, squinting at me in the glare of a particularly generous sun as the expanse of Southern California blue sky and tan desert flashes behind her. Her long dark hair skims her shoulders. It's an apt setting for the perpetual-motion machine of promotion that she's currently at the center of; with her role in the buzzy drug-cartel-thriller-cum-musical Emilia Pérez, she is in contention for every major film award for the first time in her 25-year-long career.

Saldaña is en route to a hotel to prepare are for an event later tonight, part of the endless rounds of parties and appearances that make up a campaign during awards season. She's in the thick of it, even though she tells me, "I don't like networking." When she started as an actor, she explains, "Every time I went [to a party], I would end up overdrinking and still doing the thing that I wanted to do in the first place, which was to dance and laugh and that's it. When we're all working, that's when magic should happen. Your evenings should be for you to do things that feed your soul."

imageMidi dress and tulle culottes, GUCCI.

Saldaña, 46, has starred in some of the biggest blockbuster franchises of our time: Avatar, Guardians of the Galaxy, and Star Trek. Rita, the overlooked and overworked attorney she plays in Emilia Pérez, feels like both a departure from the action and sci-fi worlds she typically inhabits and also a culmination for the actor who impressed a generation with her performances as a dancer in cult-favorite early-aughts films like Center Stage

Harper's BAZAAR - US'den DAHA FAZLA HİKAYE

Harper's BAZAAR - US

Wildest DREAMS

There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

On PERFORMANCE

I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Holding THE STAGE

DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

LIGHT Show

LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.

time to read

5 mins

November 2025

Harper's BAZAAR - US

WHY DON'T YOU...?

As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Who Gets to Be PREPPY?

The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

CYNTHIA ERIVO Is Unstoppable

CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Leaps & BOUNDS

MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

DWANA SMALLWOOD, NOVEMBER 2000

“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.

time to read

1 min

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

SHABOOZEY

Introducing This Issue's MUSIC DIRECTOR

time to read

1 min

November 2025

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