Denemek ALTIN - Özgür
ANOK YAI
Harper's BAZAAR - US
|May 2024
She's one of the most IN-DEMAND FACES in FASHION. But for the South Sudanese American model, BEAUTY comes from a DEEPER, much more PERSONAL place.
I love paintings when it feels like you're intruding," says Anok Yai.
We are standing in front of Kerry James Marshall's Untitled (Studio), which hangs in New York's Metropolitan Museum of Art. The painting is a glimpse into an artist's workspace, with a model seated, her head in the hands of an artist's assistant who is staring at the viewer.
It is as if you've disturbed something-or maybe the viewer is the artist, about to tackle the half-completed canvas that sits to the left of the frame.
"I fucking love this," Yai says and immediately sits on a bench in front of the painting. It makes sense she'd be drawn to it. In addition to being that rare cultural phenomenon-a bona fide supermodelYai is also an artist. She taught herself oil painting a few years ago.
"I started off painting a portrait of myself," she explains. "Every month, I would add a detail." She describes the work as "a time capsule in a painting of myself."
Yai chose an extraordinary period to document herself across.
Over the past six years, she has climbed to the top of the modeling industry. She is the second Black model, after Naomi Campbell in 1997, to open a Prada show. That assignment is a coronation for a model, and Yai has accepted the crown. Since then, she has walked for Louis Vuitton and Mugler, and she's also been featured in short films for Chanel and Saint Laurent and campaigns for Estée Lauder. This spring, she became the face of Mugler's fragrance Alien Hypersense. "They gave me a lot of artistic agency on the shoot," she says. "I think the stunts were supposed to be CGI, but I asked, 'Can I do it for real?"" And so there she is in the ad, scaling a wall with ease.
That kind of success could easily be overwhelming. Yai says her love of art, though, is "part of what has kept me whole..... I didn't feel like I was really losing myself as I got into the fashion industry."
Bu hikaye Harper's BAZAAR - US dergisinin May 2024 baskısından alınmıştır.
Binlerce özenle seçilmiş premium hikayeye ve 9.000'den fazla dergi ve gazeteye erişmek için Magzter GOLD'a abone olun.
Zaten abone misiniz? Oturum aç
Harper's BAZAAR - US'den DAHA FAZLA HİKAYE
Harper's BAZAAR - US
Wildest DREAMS
There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences
2 mins
November 2025
Harper's BAZAAR - US
On PERFORMANCE
I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.
2 mins
November 2025
Harper's BAZAAR - US
Holding THE STAGE
DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times
6 mins
November 2025
Harper's BAZAAR - US
LIGHT Show
LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.
5 mins
November 2025
Harper's BAZAAR - US
WHY DON'T YOU...?
As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!
2 mins
November 2025
Harper's BAZAAR - US
Who Gets to Be PREPPY?
The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL
6 mins
November 2025
Harper's BAZAAR - US
CYNTHIA ERIVO Is Unstoppable
CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.
10 mins
November 2025
Harper's BAZAAR - US
Leaps & BOUNDS
MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.
10 mins
November 2025
Harper's BAZAAR - US
DWANA SMALLWOOD, NOVEMBER 2000
“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.
1 min
November 2025
Harper's BAZAAR - US
SHABOOZEY
Introducing This Issue's MUSIC DIRECTOR
1 min
November 2025
Listen
Translate
Change font size

