The year was 1992. The USSR had split apart and the Cold War had ended - albeit temporarily. In the UK, the Conservative Party under John Major won a fourth term, while the Queen's Ruby Jubilee could not brighten an otherwise 'annus horribilis'. But a far more notable event was on the horizon in September, the first issue of BBC Music Magazine was published.
During the 30 years since that auspicious landmark, the world has changed almost beyond recognition - politically, culturally and by way of the all-encompassing digital revolution. In pop music, all but the most tenacious of artists have faded to make way for a new generation of polished stars, and the classical world, too, has borne witness to exciting new trends - not least in the acceptance of period performance as a mainstream idea (see our interview with Roger Norrington, p44).
But what have been the landmark classical recordings of those 30 years? To try to answer that question, we've asked 30 of our reviewers to name their standout recording - the album that raised the bar technically or musically, introduced us to fascinating new works or presented a new way of understanding well-loved repertoire. No easy task, the exercise has, we think, produced a wonderful tribute to the passion and inventiveness of the classical music world over the past 30 years...
Gounod Mors et Vita
Bu hikaye BBC Music Magazine dergisinin September 2022 sayısından alınmıştır.
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Bu hikaye BBC Music Magazine dergisinin September 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Giriş Yap
FESTIVAL GUIDE 2024
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From her first piano lesson, composer Errollyn Wallen has lived and breathed music; and though inspired by a range of styles, her composing is a deeply personal expression, as she tells Kate Wakeling
Felix Mendelssohn Piano Trio No. 1 in D minor
Jo Talbot celebrates the Mozart of the 19th century’ as she searches out the finest recordings of this masterful work for piano, violin and cello
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Forget the hate-filled murderer of Mozart, says Alexandra Wilson; the real Salieri was an opera composer of considerable standing
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Composing is like breathing. It's just something I do, like a hobby, really...or an addiction
The world's most performed classical composer, a small, black-suited figure with a mop of white hair and mutton-chop whiskers, stands on the huge Brucknerhaus stage, almost invisible among the sea of musicians.