In the basement of the Carpenter family home in New Haven, Connecticut, there were swings that hung from the rafters. A sign emblazoned "Richie's Music Corner" sat next to a stack of alphabetised records, the strains of Nat King Cole and Perry Como the accompaniment as Richard and Karen swung the afternoons away while doing homework.
Tall, gangly Richard, the elder by three years, was fascinated with musica love passed down from his father, Harold, who introduced his son to the classics. Richard was a piano prodigy, and his parentswho took on a car-washing business for extra cash - poured money into top tutors and the best piano their money could buy.
Karen, meanwhile, was more interested in dance and sport. She was short and stocky compared to her shy and introverted brother. When Richard got into schoolyard fights, it was Karen who would front up to stop them.
"She'd take on all the roughnecks and make them leave Richard alone," their mother, Agnes, would recall years later.
For Karen, it was clear who the star of the family was - and it wasn't her.
"Within the family there were some interesting dynamics," Randy Schimdt, author of Karen Carpenter biography Little Girl Blue, said in a 2010 interview.
"From the time Richard was a young child, he was figured to be the musical superstar of the family and everybody else was there to support him. They moved cross country from Connecticut to California to further his music career and Karen began playing drums to accentuate her brother's musical career.
"There were a lot of friends who said she felt second-best in the home, that she couldn't live up to what her brother was doing."
This story is from the April 2024 edition of Australian Women’s Weekly NZ.
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This story is from the April 2024 edition of Australian Women’s Weekly NZ.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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