Colour management has become significantly more streamlined in the digital age. At one time, with a film installed in your camera, you were limited to the colour balance of the emulsion used and, if the lighting changed, you were forced to swap rolls. Alternatively, it was necessary to attach a color-balancing filter to minimise unsightly colour casts. Nowadays, just a simple change of white balance preset is necessary, which means a faster workflow and no wasted frames. Of course, the advantages also extend to the editing possibilities afforded by RAW processing software, where the opportunities for colour correction and creative toning are almost limitless.
That said, while colour correction filters may have dwindled in their number and popularity, there is still plenty of room for hardware accessories in the realm of in-camera colour control. The polarising filter is by far the most widely used model today for the simple reason that there is currently no digital alternative to the effect polarisers provide.
A polarising filter physically alters the light's properties before it enters the lens, impacting colour balance at the point of capture. Beyond simply removing reflections or saturating colour, at which the circular polariser excels, learning to get the best out of the filter for images requires some creative thinking.
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POLAROID I-2
With full manual controls and a huge price tag, is this instant camera worth the big bucks?
HOW TO...GO MONO WITH PROFILES
James Paterson shows you how to create brilliant black-and-white images with ease using Profiles
UNDERSTAND COLOUR THEORY
Adam Waring takes you back to art class with a primer in colour theory
MEET THE YOUNGSTER WITH A EYE FOR A WINNING PHOTO
Jamie Smart won a top contest aged just eight, and she's only just getting started
FAMILY BUSINESS
Pro portrait photographer Catherine O'Donnell passes on her top tips and techniques for capturing sponateous and engaging family photos in the studio
TTARTISAN'S MONSTER ZOOM IS NOW AVAILABLE FOR DSLR
Affordable 500mm f/6.3 is released in Canon EF and Nikon F mounts
SONY FE 24-50MM F2.8 G
A compact standard zoom with compromises
HOW TO...BOOST RAW PORTRAITS
James Paterson shows you how to use the Develop Persona in Affinity Photo to enhance portraits
INFRARED ON A BUDGET
Mike Harris shows you how to shoot infrared images without investing in a costly camera conversion
THE ONLY WAY IS UP FOR THESE AERIAL PHOTO ACES
SkyPixel contest showcases stunning stills and video captured using drones