In November 2002, the British public voted a fivesome of aspiring singers into a pop group. It was not immediately obvious that they would go on to become the UK’s biggest-selling girl band of the 21st century. Formed on the ITV talent show Popstars: The Rivals, a boyband versus girl band spin on a format that had one year earlier birthed the speedily vanished Hear’Say, Girls Aloud immediately differentiated themselves from the sanguine radio pop of peers such as Atomic Kitten and Westlife.
Most significantly, Girls Aloud – comprised of Nadine Coyle, Cheryl Tweedy, Nicola Roberts, Kimberley Walsh and Sarah Harding – were cool. Their debut single “Sound of the Underground”, with its surf guitar and jittery drum-and-bass lines, sounded like nothing else at the time of its release. Their sound as a band would be polished and pop, but with an edge that always veered into the utterly bizarre.
It wasn’t, however, a smooth ride. “Sound of the Underground” rode a wave of ITV hype to top the charts for four weeks, but sales of their debut album of the same name had underwhelmed their label Polydor. A second album – and there was no guarantee they’d even get one – would need to alleviate fears about the band’s longevity, their musical identity and the ambiguity of the five women in the group.
As the band prepare to embark upon a sold-out reunion tour of arenas across the UK and Ireland – which also serves as a celebration of Harding, who died from cancer in 2021 – we sat down with many of the players involved in the making of what would become 2004’s What Will the Neighbours Say?
This story is from the March 13, 2024 edition of The Independent.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the March 13, 2024 edition of The Independent.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
Mbappe signs off PSG era in the most fitting of ways
It was too late but Kylian Mbappe didn't know that. The final whistle was sufficiently close that there would not have been time for Paris Saint-Germain to score two goals. They didn't get one: Mbappe, sprinting clear, lost his footing. It was his final contribution to his hometown club in the Champions League and a symbolic moment. PSG slipped up. Again.
Remarkable Real comeback in classic semi-final clash
Real Madrid won 4-3 on aggregate
One for the road: BrewDog founder Watt quits top role
Controversial beer boss James Watt is stepping down from the top job at BrewDog 17 years after he co-founded the Scottish brewer.
The end is in sight for this delightful, twisted creation
The ninth and (sadly) final series of Steve Pemberton and Reece Shearsmith's 'Inside No 9' anthology is here, writes Sean O'Grady, with a whole new menagerie of oddballs
How Scorsese helped save Britain's most important filmmakers from obscurity
Thelma Schoonmaker, the legendary director's long-term editor, speaks with James Mottram about their mission to restore the films of Michael Powell and Emeric Pressburger
Cross the line: how young people killed the phone call.
As a survey reveals that a quarter of people aged between 18 and 34 would never dare answer the phone, Olivia Petter asks if our anxiety means we're missing out on real intimacy
Can you offer some tips for visiting the Cinque Terre?
Q I am going from Pisa to do the Cinque Terre, walking from one end to the other.
Why blood tests for cancer could soon become a reality
Leah Hardy on eight breakthroughs in the fight against the deadly disease, including lung cancer jabs and AI diagnosis
Boeing 767 scrapes runway as front landing gear fails
A plane made a dramatic emergency landing at Istanbul airport after its front landing gear failed.
Hong Kong pro-democracy anthem banned by court
A Hong Kong appeals court has granted the government's request to ban the popular protest song \"Glory to Hong Kong\", overturning a previous ruling.