BECK MADE THE comment while explaining his decision to not record Gene Vincent’s biggest hit, “Be-Bop-a-Lula,” for the Crazy Legs album, but the guitarist’s quote could apply to any moment from his career, or even its entirety.
During the late ’80s, when instrumental rock guitar albums became increasingly popular and artists like Joe Satriani and Yngwie Malmsteen reached respectable chart positions, the music industry’s “guitar hero” environment seemed perfect for Beck to stage a comeback. He did, indeed, finally emerge from several years of relative silence by releasing JeffBeck’s Guitar Shop in 1989. But instead of returning to his jazz-rock fusion roots or jumping into the fray with a collection of blazing metal-inspired shred workouts, the guitarist delivered an album that defied the era’s genre categories with its high-tech synths, state-of-the-art electronic production and truly innovative guitar performances.
This story is from the April 2023 edition of Guitar Player.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the April 2023 edition of Guitar Player.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
MY CAREER IN FIVE SONGS
\"La Grange\" aside, these are the songs Billy F. Gibbons considers among his finest achievements.
TIP SHEET
He's played with and learned from the masters. Here are Christone \"Kingfish\" Ingram's best practices for performance.
How I Wrote..."The Story in Your Eyes"
Justin Hayward reveals the story and hidden message behind the Moody Blues' timeless 1971 hit single.
TWA
Krytical Mass KM-01 Reactive Octave Fuzz
FENDER
Tone Master Pro FR-10 Powered Cabinet
TWO NOTES
Special Edition Limited Run Torpedo Captor X
FENDER
Tone Master Pro Floor Modeler
AMERICANA AMBASSADOR
David Grisman details the historic mandolins, guitars and banjos he played on the Acoustic America album, as exhibited at Arizona's Musical Instrument Museum.
CAN'T STOP THE BOP
He's a bebop originator who's played with everyone from Charlie Parker to Jimmy McGriff. Now 96 and fronting a new album, Chicago guitarist George Freeman shows no sign of slowing down
DIRTY DEEDS
Looking for fresh musical inspiration, Kenny Wayne Shepherd left Nashville for Alabama's FAME Studios. The result is Dirt on My Diamonds, Vol. 1, the first half of a new album project that continues his blues-rock evolution.
