'There's no point pushing to find the right orchestra. It's like a relationship and needs to happen naturally'
THE BBC MUSIC MAGAZINE INTERVIEW
Back in the late 2000s, the Bournemouth Symphony Orchestra (BSO) was on the lookout for a new chief conductor to follow in the footsteps of Marin Alsop. A young Ukrainian had made an impression on the band, so they invited him back for a tour to test his mettle. But Kirill Karabits's schedule was tight: he'd have to hot-foot it from a concert in São Paulo, Brazil, to Poole overnight. Things didn't quite go to plan. Before his flight, he was eating with some Ukrainian acquaintances. And they gave me fresh peanuts, which I'd never had before. Twenty minutes later, my face was unrecognisable,' he says. Undeterred and not so unwell he couldn't fly, he hopped on the plane and put in his earplugs to get a good kip. But thanks to his swollen face, one of them became stuck. And so, I had to go to hospital in Poole to take it out. All before the first rehearsal. It was an unusual start. But it went well, and I thought, if I can survive this and still finish the week, something special could happen. Life was throwing me a test.'
هذه القصة مأخوذة من طبعة December 2023 من BBC Music Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة December 2023 من BBC Music Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
FESTIVAL GUIDE 2024
It's that time of year again... Spring has finally sprung, and along with the promised sunshine we welcome a brand-new season of glorious summer music.
The mighty Sampson
As soprano Carolyn Sampson turns 50, she tells Ashutosh Khandekar about the development of her voice through a remarkable catalogue of recordings
Music to die for
From wrathful Verdi to ethereal Fauré, there are many different ways to compose a Requiem, as Jeremy Pound discovers
Avian anthems
From Vivaldi to Messiaen, composers have often been inspired by birdsong. But accurately mimicking chirrups and tweets in music is far more difficult than it sounds, finds Tom Stewart
THE BIG 400!
BBC Music Magazine has reached its 400th issue! To celebrate, we look back over eight milestone issues since the very firstin 1992
Northern light
From her first piano lesson, composer Errollyn Wallen has lived and breathed music; and though inspired by a range of styles, her composing is a deeply personal expression, as she tells Kate Wakeling
Felix Mendelssohn Piano Trio No. 1 in D minor
Jo Talbot celebrates the Mozart of the 19th century’ as she searches out the finest recordings of this masterful work for piano, violin and cello
Antonio Salieri
Forget the hate-filled murderer of Mozart, says Alexandra Wilson; the real Salieri was an opera composer of considerable standing
Aix-en-Provence France
Rebecca Franks breathes in the spring air in the popular southern city, where the music making sparkles and the sun always shines
Composing is like breathing. It's just something I do, like a hobby, really...or an addiction
The world's most performed classical composer, a small, black-suited figure with a mop of white hair and mutton-chop whiskers, stands on the huge Brucknerhaus stage, almost invisible among the sea of musicians.