FKA TWIGS-the singer-songwriter, producer, actor, director, and model born Tahliah Barnett in Gloucestershire, England—spent much of 2024 promoting her remake of the cult classic The Crow and awaiting an upcoming sexual-battery trial against Shia LaBeouf. In interviews, Twigs touched on parallels between her character, Shelly, who is murdered and revived at great cost, and herself, calling the film a vital step in her healing journey. While The Crow bombed after a heartwarming buildup, opening at $4.6 million against a budget of at least $50 million, LaBeouf has appeared in Francis Ford Coppola’s Megalopolis and shot a film with David Mamet, signaling a post–Me Too comeback. Now Twigs rolls out Eusexua, an album steeped in the dance music she gravitated toward while working on The Crow in Prague. The record’s focus on healthy sexual-power dynamics feels more political than much of the disco aesthetics and wellness jargon her major-label peers are selling. Resuming work in forms that offer greater control and expression of intent, FKA Twigs is a delight.
This story is from the January 27– February 09, 2025 edition of New York magazine.
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This story is from the January 27– February 09, 2025 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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