Damask trickled into Europe from China and the Byzantine and Islamic empires in the early Middle Ages. It was in silk; a cloth no one in Europe had seen before and a weave no one knew how to replicate. This intriguing interplay of warp and weft was developed in China, certainly by the 7th century. Using just one yarn colour, it created pattern by combining two different weave techniques that set areas of plain matt weave against areas woven in glossy sateen. Single-colour damask was, and still is, reversible; the pattern can be seen with matt motifs framed by sateen, or the other way round.
Damask takes it name from the Syrian capital, Damascus, a weaving and trading city, and a convergent point on the Silk Road. These various routes first brought cloth and much else to the Mediterranean from China and countries in between, including ones we know as Afghanistan, Iraq, and Pakistan. By the 9th century, damask weaving had arrived in Sicily and Spain following Islamic victories there, and it was taken to Italy when weavers from Sicily were brought to the city of Lucca in the 12th century, bringing their knowledge of damask weaving and designs.
This story is from the January 2023 edition of Homes & Antiques.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the January 2023 edition of Homes & Antiques.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
48 hours in LEWES
As Glyndebourne Festival celebrates its 90th anniversary, there's no better time for a weekend away in the neighbouring town of Lewes in East Sussex says Sarah Riches
WE HEART ART
Visiting national art galleries and their acclaimed masterpieces is one thing, but the real satisfaction of being an art lover lies in building a collection of your own, says Caroline Wheater
The mystery COLLECTOR
One of the joys of collecting antiques is that pieces often come to us with stories attached. The story of Murray Pollinger, who built up an important collection of Samuel Alcock porcelain, is like the stuff of fiction. Fittingly so, as Willa Latham discovered...
Dream Dealers
The antique textiles trade is a collaborative one, says Celia Rufey. Here, she speaks to a few key dealers about their working practices and discovers the pieces that most pique their interest
Pride of place WINDSOR CHAIRS
These sturdy wooden stalwarts of the home are still very much in demand today. Janet Gleeson explores their story as she continues her series on regional antiques
New Romance
Having discovered this thatched cottage while holidaying in a favourite spot on the coast of the Baltic Sea, Christine Pink bought it as a weekend bolthole. However, she fell in love with the property and its surroundings and soon gave up city life
A Living Museum
Architect and artist Simon Hurst has spent years turning his everyday terraced house into a bequiling cabinet of curiosities
Queen of Vintage
Tineke Tichelaar has collected vintage design for decades, but only now have her treasures found a perfect home an old village train station with its authentic colours still intact
Ancient and MODERN
A crumbling Dorset barn nestled in a beautiful garden has been transformed into a quirky open-plan home, filled with art and antiques
FRANCES PRIEST
Dominique Corlett speaks to the ceramic artist about the language of pattern, and tiles as public art