Woman to Woman
Vogue US|Summer 2023
For New York–based designer Ulla Johnson, there’s no feminine without the feminist
Lynn Yaeger
Woman to Woman

A friend of mine, a jewelry historian, is often called upon to give talks or chair panels. When a gig comes up at the last minute and she has, like most of us, nothing to wear, she hustles down to a certain shop on Bleecker Street and picks up what she calls “an Ulla.”

She is not alone in her reliance on a dress from Ulla Johnson, whose designs—at once vaguely frilly but not ridiculous, pretty but not sticky, bohemian but never unkempt— more and more reflect how women want to look today. No longer bound by the arcane rules of appropriateness (nor forced to troop around in “basics”), they—okay, we—are free to don a puff sleeve and, nevertheless, be taken seriously.

Johnson, 49, is among a cadre of female designers who are answering that age-old question: What do women want? We are thinking here of people like Catherine Holstein at Khaite, Nili Lotan, sisters Nicky and Simone of the eponymous Zimmermann— women who, like Johnson, launched their highly successful businesses with little industry fanfare. These designers owe their popularity not to the din of social media or the relentless shilling of so-called influencers, but to the clothes themselves.

“I really care about every detail— where the pockets go, where the zipper is; I put scuba pulls on the zips so you don’t have to ask someone to help you,” Johnson explains. “I firmly believe women dress for themselves—they want to look amazing for themselves. If you wear something that makes you feel you can be truly seen for who you are? Well, then—my work is done.”

This story is from the Summer 2023 edition of Vogue US.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the Summer 2023 edition of Vogue US.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM VOGUE USView All
A Mother's Story
Vogue US

A Mother's Story

In a Broadway revival of Amy Herzog's play Mary Jane, Rachel McAdams finds uncommon grace in an account of parental struggle and pain.

time-read
8 mins  |
May 2024
Old Souls
Vogue US

Old Souls

A new production of Uncle Vanya brings the eternal wisdom of Anton Chekhov to the stage.

time-read
7 mins  |
May 2024
ELIZABETH DEBICKI
Vogue US

ELIZABETH DEBICKI

The actor who brought Princess Diana to life—and won a passel of awards in the process—is ready to transform anew.

time-read
5 mins  |
May 2024
If the Shoe Doesn't Fit
Vogue US

If the Shoe Doesn't Fit

Forever looking for a 42 ina world of 39s.

time-read
3 mins  |
May 2024
Stuck on You
Vogue US

Stuck on You

Once applied primarily to adolescent totems, stickers for wellness!are growing up.

time-read
4 mins  |
May 2024
Partial to It
Vogue US

Partial to It

Gen Zers have deemed side parts hopelessly outdated, but new defenders see the appeal.

time-read
2 mins  |
May 2024
With Nail and I
Vogue US

With Nail and I

Inspired by recent runways, Lena Dunham tries on inch-long talons and mere tip-skimming lengths, and wonders: What do our nails say about all we’re asked to do?

time-read
8 mins  |
May 2024
Not Black and White
Vogue US

Not Black and White

At just 27, Anna Park has made a major impression on the art world. Dodie Kazanjian visits her studio.

time-read
9 mins  |
May 2024
Prep School
Vogue US

Prep School

Back in the '90s, Plum Sykes arrived in New York from London and promptly found herself in the thrall of preppy chic. Now, she writes, it's all coming back.

time-read
5 mins  |
May 2024
States of WONDER
Vogue US

States of WONDER

John Galliano's recent Maison Margiela triumph was an haute couture tour de force. Yet, as Hamish Bowles recalls, it's but the latest in the designer's long history of era-defining shows.

time-read
5 mins  |
May 2024