A Man for All Seasons
Vogue US|April 2024
With the upcoming Netflix series Ripley, Andrew Scott furthers his ascent, proving himself one of the most chameleonic and charming actors around.
By Zing Tsjeng. Photographed by Annie Leibovitz
A Man for All Seasons

I almost knock into Andrew Scott before I see him. He’s just dashed out of the Tate Modern, frantic and slightly late: “There’s just so many entrances!” he exclaims. His patrician forehead crinkles, and the brown eyes charmingly plead: Forgive me! He was just inside, picking up his membership card.

Surely he can get in for free? “Excuse me,” he huffs, “I’m a fully paid-up member.” Then he flashes the broad grin that seduced a legion of Fleabag viewers, and we’re off.

The plan today is to meander in a loop along the Thames. On a midafternoon Friday in London, this involves much ducking and diving through crowds, which suits Scott just fine. The weather is one of those bright, springlike days that convinces you that winter is over— except the rain-swollen river is now sloshing ominously onto the pavement. We slow down to regard an underwater section of our route. “I don’t think we’re gonna get through there,” he says. “I’ve probably got a hole in my trainers.”

We head for the road instead, words pouring out of the 47-year-old actor in that mellifluous Irish lilt, peppered with “you knows” and interrupted frequently by his laugh. It’s no surprise that his colleagues quickly become friends: “It was clear from the moment that I met and worked with

This story is from the April 2024 edition of Vogue US.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the April 2024 edition of Vogue US.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM VOGUE USView All
A Mother's Story
Vogue US

A Mother's Story

In a Broadway revival of Amy Herzog's play Mary Jane, Rachel McAdams finds uncommon grace in an account of parental struggle and pain.

time-read
8 mins  |
May 2024
Old Souls
Vogue US

Old Souls

A new production of Uncle Vanya brings the eternal wisdom of Anton Chekhov to the stage.

time-read
7 mins  |
May 2024
ELIZABETH DEBICKI
Vogue US

ELIZABETH DEBICKI

The actor who brought Princess Diana to life—and won a passel of awards in the process—is ready to transform anew.

time-read
5 mins  |
May 2024
If the Shoe Doesn't Fit
Vogue US

If the Shoe Doesn't Fit

Forever looking for a 42 ina world of 39s.

time-read
3 mins  |
May 2024
Stuck on You
Vogue US

Stuck on You

Once applied primarily to adolescent totems, stickers for wellness!are growing up.

time-read
4 mins  |
May 2024
Partial to It
Vogue US

Partial to It

Gen Zers have deemed side parts hopelessly outdated, but new defenders see the appeal.

time-read
2 mins  |
May 2024
With Nail and I
Vogue US

With Nail and I

Inspired by recent runways, Lena Dunham tries on inch-long talons and mere tip-skimming lengths, and wonders: What do our nails say about all we’re asked to do?

time-read
8 mins  |
May 2024
Not Black and White
Vogue US

Not Black and White

At just 27, Anna Park has made a major impression on the art world. Dodie Kazanjian visits her studio.

time-read
9 mins  |
May 2024
Prep School
Vogue US

Prep School

Back in the '90s, Plum Sykes arrived in New York from London and promptly found herself in the thrall of preppy chic. Now, she writes, it's all coming back.

time-read
5 mins  |
May 2024
States of WONDER
Vogue US

States of WONDER

John Galliano's recent Maison Margiela triumph was an haute couture tour de force. Yet, as Hamish Bowles recalls, it's but the latest in the designer's long history of era-defining shows.

time-read
5 mins  |
May 2024