Two of history’s most visible women have at least one thing in common: staying power. Nearly three decades after her death, Jackie Kennedy is an inescapable Instagram mainstay, and the Mona Lisa recently had a starring role in the hit Knives Out sequel, Glass Onion. Nicole Alphand hasn’t been so lucky— until now.
When the Mona Lisa made its U.S. debut 60 years ago—first hanging at the National Gallery of Art and then at the Metropolitan Museum—the loan from the Louvre dazzled nearly 2 million visitors and was considered nothing short of a diplomatic triumph. “In the American capital, the Mona Lisa will be the artistic attraction of all time,” British Pathé reported at the time. What was less obvious was the international effort it took to make the loan happen—and the woman who worked in the shadow of a first lady to ensure that it did.
While it’s acknowledged that the Louvre’s loan of Leonardo da Vinci’s masterpiece was arranged by Jacqueline Kennedy and the French minister of cultural affairs, André Malraux, what is less well known is that there was a third person delicately choreographing the cultural exchange from the start—one whose joie de vivre could have persuaded even La Gioconda to crack a grin.
This story is from the March 2023 edition of Town & Country US.
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This story is from the March 2023 edition of Town & Country US.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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